Jung Sun is the deputy head of the VIP team in Seongwun Department Store. She seems to be having a happy life as she's recognized for her competency at work and is always in good terms with her husband Sung Jun, the head of the VIP team.
But on the other hand, no one knows how hard she struggles to be loved by others due to the trauma she got from having been abandoned by both her birth-mother and her stepmother. She firmly believes that Sung Jun would never let her down at least.
One day, she gets an anonymous message. "Your husband is having an affair with someone in your team." After receiving this message, she gets to know the secrets of Sung Jun and the women.
Download and play the Soundtrack list
Play
Title
Artist
VIP
A New Course (Opening Movie)
Sogno di Volare (“The Dream of Flight”)
Baba Yetu
Rise and Fall
Gathering Storm
Scythia (The Ancient Era) [feat. Sandro Freidrich]
Sumeria (The Ancient Era)
Georgia (The Ancient Era) [Shen Khar Venakhi]
Korea (The Ancient Era) [Arirang]
Mapuche (The Ancient Era) [Traditional Mapuche]
Mongolia (The Ancient Era) [Pastor Song; Khoomii Improvisation]
Netherlands (The Ancient Era) [Gaillarde L'esmerillonne]
Scotland (The Ancient Era) [Scotland the Brave; Bonnie Dundee]
Zulu (The Ancient Era) [Uthe Ubhuti Asizomlanda]
Cree (The Ancient Era) [The Drums of Poundmaker]
The Ancient Era (Canada)
The Ancient Era (Hungary)
The Ancient Era (Inca)
The Ancient Era (Mali)
The Ancient Era (Maori)
The Ancient Era (Ottoman)
The Ancient Era (Phoenicia)
The Ancient Era (Sweden)
The Ancient Era (Waltzing Matilda)
Persia: The Ancient Era
Macedon: The Ancient Era
Khmer: The Ancient Era
Indonesia: The Ancient Era
The Ancient Era (Hej Ide W Las)
The Ancient Era
France (The Medieval Era)
Rome (The Medieval Era)
Spain (The Medieval Era)
Brazil (The Medieval Era)
Russia (The Medieval Era)
England (The Medieval Era)
Aztec (The Medieval Era)
Kongo (The Medieval Era)
Egypt (The Medieval Era)
Arabia (The Medieval Era)
Greece (The Medieval Era)
Cree (The Medieval Era) [The Drums of Poundmaker]
Georgia (The Medieval Era) [Tsaiqvanes Tamar Kali; Shen Khar Venakhi]
Korea (The Medieval Era) [Arirang]
Mapuche (The Medieval Era) [Traditional Mapuche]
Mongolia (The Medieval Era) [Pastor Song; Urtin Duu]
Netherlands (The Medieval Era) [Gaillarde L'esmerillonne]
Scotland (The Medieval Era) [Scotland the Brave; Bonnie Dundee]
Zulu (The Medieval Era) [Shaka Mamba; Bayisa; Halala]
The Medieval Era (Canada)
The Medieval Era (Hungary)
The Medieval Era (Inca)
The Medieval Era (Mali)
The Medieval Era (Maori)
The Medieval Era (Ottoman)
The Medieval Era (Phoenicia)
The Medieval Era (Sweden)
The Medieval Era (Waltzing Matilda)
Persia: The Medieval Era
Macedon: The Medieval Era
User reviews
Carol Young
4/10
The music in VIP often feels generic and uninspired, failing to create a unique and memorable sonic experience that enhances the storytelling. The soundtrack lacks originality and fails to leave a lasting impression on the audience, ultimately falling flat in its delivery.
Stephanie Wilson
9/10
The use of different musical elements, from haunting melodies to tension-building rhythms, enhances the overall viewing experience and adds layers of depth to the narrative of betrayal and secrets within the VIP team.
Charles Garcia
6/10
The dynamic range of the soundtrack in VIP is commendable, seamlessly transitioning between moments of suspense, romance, and betrayal. The music effectively sets the tone for each scene, keeping viewers engaged throughout the series.
Anthony Campbell
8/10
The soundtrack of VIP perfectly captures the emotional complexity of the main character, Jung Sun, as she navigates through her personal and professional life.
Anthony Young
9/10
The music sets the tone for the suspense and intrigue of the plot, keeping the audience engaged and on the edge of their seats as the story unfolds.
Joshua Green
7/10
The music enhances the suspense and tension of the plot, keeping the audience engaged and on the edge of their seats.
Elizabeth Lopez
2/10
The VIP soundtrack fails to capture the emotional depth of Jung Sun's inner struggles and trauma, with its music lacking the necessary gravitas and intensity to convey the complexity of her character.
Brian White
8/10
I appreciate how the soundtrack seamlessly transitions between moments of joy and moments of deep introspection, mirroring Jung Sun's inner struggles.
Kimberly Mitchell
6/10
The soundtrack of VIP perfectly captures the emotional turmoil of the main character, Jung Sun, as she navigates the complexities of her personal and professional life. The music enhances the tension and drama of the storyline.
James Miller
8/10
Overall, the soundtrack of VIP elevates the viewing experience and complements the narrative in a way that is truly remarkable.
Brian Evans
7/10
The use of different musical motifs for each character adds depth and dimension to the storytelling, making the viewing experience even more immersive.
Brian Smith
6/10
The use of subtle piano melodies in certain scenes creates a sense of introspection and vulnerability, allowing viewers to connect with Jung Sun's inner struggles on a deeper level. The music adds depth to the character development.
Melissa Jackson
5/10
The incorporation of haunting vocals in key moments adds an eerie and mysterious quality to the soundtrack, mirroring the hidden secrets and deceit that unfold in the plot. The music adds an element of intrigue to the storytelling.
Edward Parker
9/10
The soundtrack of VIP perfectly captures the emotional depth and complexity of Jung Sun's character, from the facade of a successful career woman to the underlying trauma and insecurities she carries.
Dorothy Wilson
5/10
Overall, the soundtrack of VIP enhances the viewing experience by immersing the audience in the emotional journey of the characters. The music serves as a powerful narrative tool, elevating the storytelling to a new level of intensity and engagement.
