Alta Tensão em Nova Iorque Banda sonora (

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Les Pirates du métro

Sinopse

In New York City, four heavily armed men with code names (Mr. Blue, Mr. Green, Mr. Grey, and Mr. Brown), wearing disguises of eyeglasses, fedora hats, and fake mustaches, board at different station stops (the Green Line at 59th Street, Grey Line at 51st Street, Brown Line at Grand Central, and finally Blue Line at 28th Street) on the Pelham 123 subway train run of the 6 Lexington Avenue Local service. The men take the train, securing a group of hostages, whom they isolate in one car of the train, then disconnect this car from the rest of the train.

Meanwhile, Lieutenant Zachary Garber (Walter Matthau), a cynical and curmudgeonly yet light-hearted New York City Transit Authority police lieutenant, begins his day by leading four visiting Tokyo Metro directors on a tour of New York's subway command-center. This is interrupted by Blue's radio announcement to the command center that "your train has been taken." Blue (Robert Shaw), the British-accented leader of the hijackers, tells Garber they are demanding a ransom of one million dollars, to be delivered to them within one hour; otherwise they will kill one passenger per minute, starting when the hour has passed.

Garber, the sarcastic Lieutenant Rico Patrone (Jerry Stiller), and other transit workers cooperate while trying to guess how the criminals intend to escape the subway tunnel and get away. Various clues soon surface for Garber to figure out, first with his hearing Blue's very distinctive English accent over the radio. It later turns out that Blue was a ruthless British mercenary, and Green (Martin Balsam) is a former transit worker who from time to time sneezes over the radio and is heard by Garber, who responds by saying "Gesundheit." Garber also learns that one of the hostages is an undercover police officer.

The mayor finally agrees to pay the ransom at the urging of his deputy mayor. The police dispatch a squad car carrying the ransom money. When the car is wrecked in a collision, Garber daringly bluffs to buy some time, telling the takers that the money already has been delivered to the 28th Street Station and only the walk down the tunnel is delaying it. A reluctant Blue agrees to the delay.

A police motorcycle completes the trip from the scene of the collision to the subway station and two unarmed officers are sent down the track on foot to deliver the money to the hijackers. With the money finally in hand, the hijackers demand that electric power be restored to the subway line, and that all signals in the path of the train be turned green from 28th Street to the South Ferry station, both of these being necessary for the car to move. Having overridden the subway car's dead-man's switch, which would otherwise ensure its stopping unless someone remained at the throttle, the hijackers get off the train and set it in motion. As the train starts to move, the undercover officer also jumps off the train and hides between the rails. The car begins to travel faster and faster, since no one is controlling its speed.

Outside the tunnel, Garber and Inspector Daniels are convinced that the runaway train is a diversion and that the hijackers must have left the train.

The hijackers divide the ransom money, discard their disguises, and start their escape into the tunnel's emergency exit; however, Grey refuses to leave his gun behind as agreed and is shot dead by Blue. The undercover officer, still hiding in the tracks, manages to kill Brown with one shot. Green escapes onto the street.

Garber arrives after Green has gotten away and, drawing on Blue, orders him to surrender just as Blue is about to shoot the undercover officer. Blue asks Garber if the death penalty is available in the state of New York anymore. Told that it is not, Blue responds, "Pity", then promptly electrocutes himself by stepping onto the third rail while a horrified Garber watches.

Entering the South Ferry Loop, the runaway car finally encounters a red signal. The car's emergency brakes are tripped and it grinds to a halt; the remaining hostages are all safe.

Green, the only hijacker to escape, has left as a clue only Garber's surmise that one of the hijackers must be an ex-motorman of the New York Transit Authority (owing to the hijackers' knowledge of the car's operation). With the dead three all identified, Garber realizes that the hijacker still at large must be the former transit employee. Garber and Patrone, working their way through a list of former motormen "discharged for cause" (and, by implication, disgruntled), pay a visit to Harold Longman. Longman, known to the audience as Mr. Green, is shown rolling in the packs of ransom money on the bed in his seedy efficiency apartment when Garber and Patrone knock on his door. He hides the money quickly, then opens to the officers and bluffs his way through their questioning. The officers find Longman's alibi weak, but start out the door, until Longman sneezes and Garber says "Gesundheit." Garber then re-opens the door, the expression on his face in the door opening (the film's final frame) telling the audience that he knows he has just found the final hijacker.

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Toque Título Artista
Alta Tensão em Nova Iorque
Max Dugan Returns
David Shire: Performer
The Conversation
David Shire: Performer
Return To Oz
David Shire: Performer
Raid On Entebbe
David Shire: Performer
Paris Trout
David Shire: Performer
All The Presidents Men
David Shire: Performer
Farewell, My Lovely
David Shire: Performer
The World According To Garp
David Shire: Performer
Night Mother
David Shire: Performer
Bed And Breakfast
David Shire: Performer
The Taking Of Pelham 1-2-3
David Shire: Performer
2010
David Shire: Performer
Last Stand At Saber River
David Shire: Performer
Straight Time
David Shire: Performer
Old Boyfreinds
David Shire: Performer
The Journey Inside (IMAX)
David Shire: Performer
Monkey Shines
David Shire: Performer
One Night Stand
David Shire: Performer
The Hindenburg
David Shire: Performer
My Antonia
David Shire: Performer
The Kennedys Of Massachusetts
David Shire: Performer
Sarah Plain And Tall
David Shire: Performer
Saturday Night Fever (Manhattan Skyline)
David Shire: Performer
Norma Rae (It Goes Like It Goes)
David Shire: Performer
Main Title
David Shire: Performer
The Taking
David Shire: Performer
Dolowitz Takes a Look / Dolowitz Gets Killed
David Shire: Performer
Blue and Green Talk
David Shire: Performer
Money Montage
David Shire: Performer
Fifty Seconds / The Money Express
David Shire: Performer
Conductor Killed / The Money Bag
David Shire: Performer
The Pelham's-Moving-Again Blues
David Shire: Performer
I'm A Police Officer / Renewing Disguises
David Shire: Performer
Goodbye Green, Hello Garber, Goodbye Hippie / Smoking More, Enjoying It Less
David Shire: Performer
Mini-Manhunt
David Shire: Performer
End Title
David Shire: Performer
Blue
David Shire: Performer
More Taking
David Shire: Performer
Dolowitz Takes a Look
David Shire: Performer
Dolowitz Killed
David Shire: Performer
Blue Green
David Shire: Performer
Money Montage II
David Shire: Performer
Fifty Seconds
David Shire: Performer
The Money Express
David Shire: Performer
Conductor Killed
David Shire: Performer
The Money Bag
David Shire: Performer
I'm a Police Officer
David Shire: Performer
Renewing Disguises
David Shire: Performer
Goodbye Green
David Shire: Performer
Smoking More
David Shire: Performer
The Pelhams-Moving-Again Blues
David Shire: Performer
Im A Police Officer / Renewing Disguises / Goodbye Green, Hello Garber, Goodbye Hippie / Smoking More, Enjoying It Less
David Shire: Performer
Overture to A Bridge Too Far
John Addison: Performer
Battle of Britain Theme
John Addison: Performer
Kelly's Heros Theme
John Addison: Performer
Main Title to 633 Squadron
John Addison: Performer
Main Title to Alexander The Great
John Addison: Performer
Zulu Theme from Zulu
John Addison: Performer
The Great Train Robbery Theme
John Addison: Performer
Overture from Ice Station Zebra
John Addison: Performer
Ride to Dubno (from Taras Bulba)
John Addison: Performer
I Am Hawaii (From Hawaii)
John Addison: Performer
Suite from Birdman of Alcatraz
John Addison: Performer
Regnar Returns (from The Vikings)
John Addison: Performer
North by Northwest Finale Suite
John Addison: Performer
Main Theme from Elmer Gantry
John Addison: Performer
Theme from Mutiny on the Bounty
John Addison: Performer
The Taking of Pelham 1 2 3 Main Title
John Addison: Performer
They Call Me Mr. Tibbs Main Title
John Addison: Performer
In the Heat of the Night
John Addison: Performer
Main Title to F.I.S.T.
John Addison: Performer
Paris Blues
John Addison: Performer
Some Like It Hot (Instrumental)
John Addison: Performer
Harlem Love Theme (from Across 100th St.)
John Addison: Performer
Some Like It Hot (Vocal)
John Addison: Performer
Disc Time:
John Addison: Performer
Main Title to The Barefoot Contessa
John Addison: Performer
Main Title to Ryan's Daughter
John Addison: Performer
The Tango I Saved For You (from Gaily Gaily)
John Addison: Performer
Black Stallion Theme Reprise
John Addison: Performer
Main Title from Carrie
John Addison: Performer
Women in Love
John Addison: Performer
Roma Suite (from Fellini's Roma)
John Addison: Performer
Main Title from Tom Jones
John Addison: Performer
Uketalia (from After The Fox)
John Addison: Performer
Love Theme from Ben-Hur
John Addison: Performer
Theme from The Greatest Story Ever Told
John Addison: Performer
Theme from King of Kings
John Addison: Performer
Main Title from Patch of Blue
John Addison: Performer
Main Title from Inherit the Wind
John Addison: Performer
Judgement at Nuremberg Suite
John Addison: Performer
Red River Suite
John Addison: Performer
The Long Riders
John Addison: Performer
Wild Rovers Theme
John Addison: Performer
Goodbye Colonel (from For a Few Dollars More)
John Addison: Performer
Generique (from Viva Maria)
John Addison: Performer
Hour of the Gun Main Title
John Addison: Performer
Crossing the Missouri (from The Missouri Breaks)
John Addison: Performer
Love Theme from The Missouri Breaks
John Addison: Performer
"Paris, Paris, Paris" (from Viva Maria) - Brigitte Bardot and Jeanne Moreau
John Addison: Performer
They Call Me Mr.Tibbs Main Title (King Britt Reinterpretation Instrumental)
Elmer Bernstein: Performer
The Taking of Pelham 1,2,3 Main Title (Phillip Charles' Signs In Mallorca Rewerk)
Elmer Bernstein: Performer
Fellini's Roma (Bent Remix)
Elmer Bernstein: Performer
Goodbye Colonel (From For A Few Dollars More)- (Shrift Mix)
Elmer Bernstein: Performer
Love Theme From Ben Hur (Bombay Dub Orchestra Remix Featuring Sophie Solomon)
Elmer Bernstein: Performer
The Tango I Saved For You (Zeb's The Tango I Stole From You Remix)
Elmer Bernstein: Performer
Paris Blues (The Real Tuesday Weld Remix)
Elmer Bernstein: Performer
Birdman of Alcatraz (Shawn Lee's Ping Pong Orchestral Maneuvers In The Dark Mix)
Elmer Bernstein: Performer
Hour of the Gun Main Title (Mark De Clive Lowe Remix Featuring Replife)
Elmer Bernstein: Performer
They Call Me Mr. Tibbs Main Title (King Britt Vocal Reinterpretation Featuring Mr. Lif)
Elmer Bernstein: Performer
Some Like It Hot (MNO's Some Like It Hotter Remix)
Elmer Bernstein: Performer
Theme From Carrie (Gaudi Remix)
Elmer Bernstein: Performer
Love Theme From Ben Hur (Bombay Dub Orchestra Remix Orchestral Verison)
Elmer Bernstein: Performer
Inherit The Wind Main Title (Tom Middleton Mix)
Elmer Bernstein: Performer

Críticas de usuários

Laura Guerreiro
5/10

Os momentos de tensão são acentuados pela trilha sonora, que utiliza instrumentos de cordas e metais de forma habilidosa para criar um clima de suspense e urgência. A música acompanha o ritmo frenético do enredo, mantendo o espectador na ponta da cadeira.

Ana Sofia Campos
6/10

Os temas musicais utilizados na banda sonora são variados e bem escolhidos, contribuindo para a construção dos personagens e a atmosfera do filme. Cada personagem tem sua própria melodia característica, o que ajuda a diferenciá-los e a destacar suas personalidades distintas.

Manuel Correia
6/10

A banda sonora de Alta Tensão em Nova Iorque é intensa e dramática, criando um ambiente de suspense e tensão durante toda a narrativa. A música acompanha perfeitamente as cenas de ação e os momentos de suspense, aumentando a imersão do espectador na trama.

Carolina Ferreira
6/10

A banda sonora de Alta Tensão em Nova Iorque é um elemento essencial na construção da narrativa e na ambientação do filme. A escolha das músicas e a sua integração com as cenas contribuem significativamente para a experiência cinematográfica como um todo.

Paula Leite
3/10

Filipe Carvalho
6/10

A música de fundo durante as cenas de diálogo é sutil e melancólica, adicionando uma camada de emoção às interações entre os personagens. Isso ajuda a transmitir as nuances das relações e os conflitos internos dos protagonistas.

David Campos
6/10

A música durante a cena final, enquanto o trem desgovernado se dirige para o desfecho da trama, é particularmente impactante. A combinação de elementos sonoros e visuais cria uma sequência memorável e emocionante, deixando uma forte impressão no público.