• Anastasia (1956) Soundtrack OST •

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Rating: 7.00/10 from 9300 votes

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Synopsis

Anastasia is an example of a weak British play turned into a much-admired Oscar and Bafta winning movie by screenwriter Arthur Laurents, director Anatole Litvak and composer Alfred Newman. Russian emigres living in Paris and Copenhagen ten years after the Tsar was executed during the First World War were historically drawn into an extortion scheme to draw on one of the family's unclaimed ten million pound bank accounts in the form of war reparations.

Yul Brynner is a player in the extortion scheme. As the group's window of opportunity to cop the lolly is drawing to a close, he boxes homeless woman, Ingrid Bergman, into being the claimant asking for fiscal executorship to draw on the ten million pound bank account. Because the players and their sycophants do not seem to be able to generate the legal paperwork to prepare the civil suit to claim the lolly, the second half draws into it a recluse widow played by Helen Hayes, whom they believe will be able to sort it out.

What none in the group, least of all Yul Brynner, expects is that two of Hollywood's most admired stars, Ingrid Bergman and Helen Hayes, are given character blocking to exhibit loose cannon personalities who purposefully blow everything up at every turn, and also light up the screen with heart-rending performances as foils to Brynner's charismatic presence and powerful gut determination to extort money. Following their powerful confrontations which take up much of the second half, Bergman and Hayes disappear from the action to prepare, offscreen, a formal diplomatic reception to which the press will be invited to witness Hayes' proclamation of support for Bergman's civil suit petition to cop the ten million pound lolly so Brynner can distribute some of it to each cohort.

Everyone gets a surprise when Bergman and Hayes slyly reveal their own counterplan to spoil everything and carry it off with aplomb, even if the denoument was not very well written in the play. Bergman quietly disappears into anonymity because her identity as a homeless woman is not yet established. Hayes informs her sycophants that she merely plans to make a grand entrance, then curtly command everyone to go home because there is no civil suit.

Download and play the Soundtrack list

Play	Title	Artist
	Anastasia
	Prologue: Once Upon a December (Nicole Scimeca & Mary Beth Peil)	Lynn Ahrens: Performer
	A Rumor in St. Petersburg (John Bolton, Derek Klena, Ramin Karimloo, Christy Altomare & Anastasia Company)	Lynn Ahrens: Performer
	In My Dreams (Christy Altomare)	Lynn Ahrens: Performer
	Learn to Do It (John Bolton, Derek Klena & Christy Altomare)	Lynn Ahrens: Performer
	The Neva Flows (Ramin Karimloo)	Lynn Ahrens: Performer
	My Petersburg (Derek Klena)	Lynn Ahrens: Performer
	Once Upon a December (Christy Altomare)	Lynn Ahrens: Performer
	Stay, I Pray You (Constantine Germanacos, Derek Klena, John Bolton, Christy Altomare & Anastasia Company)	Lynn Ahrens: Performer
	We'll Go from There (Christy Altomare, Derek Klena, John Bolton & Anastasia Company)	Lynn Ahrens: Performer
	Still (Ramin Karimloo)	Lynn Ahrens: Performer
	Journey to the Past (Christy Altomare)	Lynn Ahrens: Performer
	Paris Holds the Key (To Your Heart) (John Bolton, Derek Klena, Christy Altomare & Anastasia Company)	Lynn Ahrens: Performer
	Crossing a Bridge (Christy Altomare)	Lynn Ahrens: Performer
	Close the Door (Mary Beth Peil)	Lynn Ahrens: Performer
	Land of Yesterday (Caroline O'Connor & Anastasia Company)	Lynn Ahrens: Performer
	The Countess and the Common Man (Caroline O'Connor & John Bolton)	Lynn Ahrens: Performer
	In a Crowd of Thousands (Derek Klena & Christy Altomare)	Lynn Ahrens: Performer
	Meant to Be (John Bolton)	Lynn Ahrens: Performer
	Quartet at the Ballet (Christy Altomare, Derek Klena, Mary Beth Peil & Ramin Karimloo)	Lynn Ahrens: Performer
	Everything to Win (Derek Klena)	Lynn Ahrens: Performer
	Once Upon a December (Reprise) (Christy Altomare & Mary Beth Peil)	Lynn Ahrens: Performer
	The Press Conference (Caroline O'Connor, John Bolton & Anastasia Company)	Lynn Ahrens: Performer
	Everything to Win (Reprise) (Christy Altomare)	Lynn Ahrens: Performer
	Still / The Neva Flows (Reprise) (Ramin Karimloo & Christy Altomare)	Lynn Ahrens: Performer
	Finale (Mary Beth Peil, Ramin Karimloo & Anastasia Company)	Lynn Ahrens: Performer
	A Rumor In St. Petersburg (Jonathan Dokuchitz & Kelsey Grammer)	Stephen Flaherty: Performer
	Journey To The Past (Liz Callaway)	Stephen Flaherty: Performer
	Once Upon A December (Liz Callaway)	Stephen Flaherty: Performer
	In The Dark Of The Night (Jim Cummings)	Stephen Flaherty: Performer
	Learn To Do It (Jonathan Dokuchitz, Kelsey Grammer & Liz Callaway)	Stephen Flaherty: Performer
	Learn To Do It	Stephen Flaherty: Performer
	Paris Holds The Key	Stephen Flaherty: Performer
	At The Beginning (Richard Marx & Donna Lewis)	Stephen Flaherty: Performer
	Journey To The Past (Aaliyah Version) (Aaliyah)	Stephen Flaherty: Performer
	Once Upon A December (Deana Carter Version) (Liz Callaway)	Stephen Flaherty: Performer
	Prologue (David Newman)	Stephen Flaherty: Performer
	Speaking Of Sophie (David Newman)	Stephen Flaherty: Performer
	The Nightmare (David Newman)	Stephen Flaherty: Performer
	Kidnap And Reunion (David Newman)	Stephen Flaherty: Performer
	Reminiscing With Grandma (David Newman)	Stephen Flaherty: Performer
	Finale (David Newman)	Stephen Flaherty: Performer
	Viaje Tiempo Atras	Stephen Flaherty: Performer
	20th Century Fox Fanfare	Alfred Newman: Performer
	ANASTASIA: Theme / Paris / Russian Easter / Paris / Gaiety Bar / Self Destruction / Who am I?	Alfred Newman: Performer
	The Troika	Alfred Newman: Performer
	The Beginning	Alfred Newman: Performer
	Riberhaus March (Marche de la Bataille)	Alfred Newman: Performer
	Valse	Alfred Newman: Performer
	Frustration	Alfred Newman: Performer
	Wildfeuer Polka	Alfred Newman: Performer
	Waltz	Alfred Newman: Performer
	Finale / End Titles	Alfred Newman: Performer
	BAND OF ANGELS: Main Theme	Alfred Newman: Performer
	Starwood	Alfred Newman: Performer
	The Slave Market	Alfred Newman: Performer
	Amantha	Alfred Newman: Performer
	Pointe du Loupe	Alfred Newman: Performer
	Burning the Cotton Crops	Alfred Newman: Performer
	Hamish Bomb	Alfred Newman: Performer
	Reunion / End Titles	Alfred Newman: Performer
	Fox Fanfare / Anastasia / Paris / Russian Easter	Alfred Newman: Performer
	Self-Destruction	Alfred Newman: Performer
	Who Am I - The Troika	Alfred Newman: Performer
	The Trivoli - The Sleeping Princess	Alfred Newman: Performer
	Anastasia Waltz	Alfred Newman: Performer
	The Meeting	Alfred Newman: Performer
	The Wildfeuer Marsch - Marche De Bataille	Alfred Newman: Performer
	End Title - Anastasia	Alfred Newman: Performer
	Anastasia (Previously Unreleased)	Alfred Newman: Performer
	Fox Fanfare / Anastasia / Paris / Russian Easter (From "Anastasia")	Alfred Newman: Performer
	Valse (From "Anastasia")	Alfred Newman: Performer
	Self-Destruction (From "Anastasia")	Alfred Newman: Performer
	Who Am I / The Troika (From "Anastasia")	Alfred Newman: Performer
	The Beginning (From "Anastasia")	Alfred Newman: Performer
	The Tivoli / The Sleeping Princess (From "Anastasia")	Alfred Newman: Performer
	Anastasia Waltz (From "Anastasia")	Alfred Newman: Performer
	The Meeting (From "Anastasia")	Alfred Newman: Performer
	The Wildfeur Polka (From "Anastasia")	Alfred Newman: Performer
	Recognition (From "Anastasia")	Alfred Newman: Performer
	Riberhaus Marsch / Marche de bataille (From "Anastasia")	Alfred Newman: Performer
	Frustration (From "Anastasia")	Alfred Newman: Performer
	End Title - Anastasia (From "Anastasia")	Alfred Newman: Performer
	Anastasia (From "Anastasia")	Alfred Newman: Performer
	Overture (From "The Diary of Anne Frank)	Alfred Newman: Performer
	Families in Hiding (The Secret Annex)	Alfred Newman: Performer
	The First Day (From "The Diary of Anne Frank)	Alfred Newman: Performer
	The Captives / Spring is Coming (From "The Diary of Anne Frank)	Alfred Newman: Performer
	Ericka (From "The Diary of Anne Frank)	Alfred Newman: Performer
	Date with Peter (From "The Diary of Anne Frank)	Alfred Newman: Performer
	The First Kiss (From "The Diary of Anne Frank)	Alfred Newman: Performer
	The Dearness of You, Peter (From "The Diary of Anne Frank)	Alfred Newman: Performer
	Epilogue (From "The Diary of Anne Frank)	Alfred Newman: Performer
	Main Title (From "The Diary of Anne Frank)	Alfred Newman: Performer
	Exit Music I (From "The Diary of Anne Frank")	Alfred Newman: Performer
	Intermission (From "The Diary of Anne Frank")	Alfred Newman: Performer
	Exit Music II (From "The Diary of Anne Frank")	Alfred Newman: Performer
	How To Marry A Millionaire - Street Scene	Alfred Newman: Performer
	The Diary of Anne Frank - Overture	Alfred Newman: Performer
	The Diary of Anne Frank - Live in Hope	Alfred Newman: Performer
	The Diary of Anne Frank - The First Kiss	Alfred Newman: Performer
	The Diary of Anne Frank - Persecution / Finale	Alfred Newman: Performer
	The Mark of Zorro - Overture	Alfred Newman: Performer
	Anastasia - Main Them	Alfred Newman: Performer
	The Song of Bernadette - Overture	Alfred Newman: Performer
	How The West Was Won - Prelude / The Land	Alfred Newman: Performer
	How The West Was Won - Cleve and His Mule	Alfred Newman: Performer
	How The West Was Won - Intermezzo	Alfred Newman: Performer
	How The West Was Won - Cheyenne Attack and Aftermath / Finale	Alfred Newman: Performer
	How The West Was Won - How The West Was Won	Alfred Newman: Performer
	Disc Time:	Alfred Newman: Performer
	Captain From Castle - Conquest	Alfred Newman: Performer
	The Keys of the Kingdom - Overture	Alfred Newman: Performer
	Nevada Smith - Main Title	Alfred Newman: Performer
	The Razor's Edge - Main Title	Alfred Newman: Performer
	The Razor's Edge - Seduction	Alfred Newman: Performer
	The Razor's Edge - India	Alfred Newman: Performer
	Wuthering Heights - Cathy's Theme	Alfred Newman: Performer
	Man of Galilee - Prologue	Alfred Newman: Performer
	Man of Galilee - The Promise of the Holy Spirit	Alfred Newman: Performer
	Man of Galilee - Rejoice	Alfred Newman: Performer
	Man of Galilee - The Great Journey	Alfred Newman: Performer
	Man of Galilee - Miriam's Song	Alfred Newman: Performer
	Man of Galilee - Sunrise of the Third Day	Alfred Newman: Performer

User reviews

Ronald White

10/10

The songs in Anastasia are not only beautifully composed but also incredibly moving, adding an extra layer of storytelling to the already captivating plot. Each musical piece helps to convey the characters' emotions and struggles, making the film even more engaging and memorable.

Timothy Lee

5/10

Overall, the soundtrack of Anastasia is a standout element of the movie, elevating the viewing experience and leaving a lasting impression on the audience.

Daniel Taylor

5/10

The use of traditional Russian musical elements in the score of Anastasia adds authenticity and cultural richness to the film's setting and atmosphere.

Stephanie Garcia

10/10

The soundtrack of Anastasia is an absolute masterpiece that perfectly complements the emotional depth and intensity of the film. The music by composer Alfred Newman enhances every scene with its rich orchestration and poignant melodies, creating a truly immersive experience for the audience.

Susan Parker

4/10

Another criticism of the soundtrack is that it is overly dramatic and melodramatic at times, bordering on being cheesy. The music often overwhelms the emotional moments in the film, detracting from the authenticity of the scenes and undermining the performances of the actors.

Steven Miller

8/10

The band soundtrack of Anastasia demonstrates a masterful blend of orchestral arrangements and vocal performances, creating a cohesive and immersive musical experience.

Patricia Martin

7/10

Each musical piece in Anastasia evokes a range of emotions, from nostalgia to hope, making it a memorable and impactful part of the movie.

Robert Johnson

7/10

The music in Anastasia not only complements the visuals on screen but also stands on its own as a powerful and evocative piece of art that can be appreciated independently.

John Wright

7/10

The band soundtrack of Anastasia truly captivates the essence of the story and characters with its emotional melodies and grand orchestration.

William Evans

8/10

The music by composer Alfred Newman perfectly complements the dramatic and historical setting of the film, enhancing the overall viewing experience for the audience.

James Anderson

5/10

The music in Anastasia effectively enhances the emotional depth of the characters, making their struggles and triumphs feel more impactful and relatable.

Emily Baker

8/10

The use of traditional Russian musical elements in the soundtrack adds authenticity and depth to the storytelling, transporting viewers to the world of the characters.

Michael Baker

5/10

The songs in Anastasia are memorable and catchy, adding a layer of charm and nostalgia to the overall soundtrack.

Donald Brown

6/10

The orchestral arrangements in Anastasia are rich and evocative, transporting the listener to the world of early 20th century Russia and Paris with ease.

Joseph Jackson

9/10

The soundtrack of Anastasia is a standout feature of the movie, showcasing the talent and creativity of the composer. The music elevates the film to a whole new level, leaving a lasting impact on the viewer and enhancing the overall cinematic experience.

William Brown

7/10

Overall, the band soundtrack of Anastasia is a testament to the skill and talent of composer Alfred Newman, elevating the film to a higher level of emotional resonance and artistic achievement.

Kimberly Taylor

3/10

One negative aspect of the Anastasia soundtrack is that it lacks originality and fails to capture the essence of the historical setting. The music feels generic and uninspired, making it difficult for the audience to truly connect with the story and characters.

Timothy Gonzalez

8/10

Alfred Newman's compositions in Anastasia beautifully enhance the character development and the unfolding of the plot, creating a rich tapestry of sound that stays with the audience long after the movie ends.