Giant Soundtrack (

Giant Soundtrack (1956) cover

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Rating: 7.60/10 from 42000 votes
Alternate Names:
Title in Español:

Gigante

Title in Italiano:

Il gigante

Title in Français:

Géant

Title in Türk:

Giant

Title in Deutsch:

Giganten

Synopsis

In the early 1920s, Jordan "Bick" Benedict (Rock Hudson), the head of the rich Benedict ranching family in Texas, goes to Maryland to buy a stud horse, War Winds. There he meets and courts the 18-year-old socialite Leslie Lynnton (Elizabeth Taylor), who becomes his wife after a whirlwind romance. They return to Texas to start their life together on the family ranch, Reata, which is owned and run by Luz (Mercedes McCambridge), Bick's older and grumpy sister. Leslie doesn't get along with Luz for Luz scorns Leslie's wealthy background while Leslie thinks that Luz is rude. Jett Rink (James Dean) is a local ranch hand who works for Luz and hopes to find his fortune by leaving Texas; he also has a secret love for Leslie despite the fact that she is married to his boss.

One day during a cattle roundup, Luz expresses her hostility for Leslie by cruelly digging in her spurs while riding Leslie's beloved horse, War Winds. Luz dies after War Winds bucks her off, and as part of her will, Jett is given a small plot of land within the 595,000-acre Benedict ranch. Bick tries to buy back the land, but Jett refuses. Jett keeps the fenced off waterhole as his home and names the property Little Reata.

A few years later, Leslie eventually gives birth to twins, Jordan "Jordy" Benedict III and Judy Benedict, and a younger daughter named Luz II (Carroll Baker).

One day, Jett discovers oil in a footprint left by Leslie and develops an oil drilling well on his property. Bick is annoyed with Jett's prospecting and tries to deny him access to his land. Finally, Jett hits his first gusher, he drives into the Benedict yard (covered in crude oil) proclaiming in front of the entire family that he will be richer than the Benedicts. After Jett makes a rude sexual remark to Leslie, Bick and Jett have a fist fight.

Shortly after, in the 1930s, Jett starts an oil drilling company, named 'JetTexas' that makes him enormously wealthy. But Bick resists the lure of drilling for oil on his much larger part of the cattle ranch, preferring to remain a rancher to maintain the legacy of his family's original business.

During the 1940s, tensions in the Benedict household revolve around how the parents want to bring up their grown-up children. Bick stubbornly insists that Jordy must succeed him and run the ranch, just like his father and grandfather before him, but Jordy wants to be a doctor. Leslie wants Judy to attend finishing school in Switzerland, but Judy loves the ranch and wants to stay in Texas for her education (and to her high school boyfriend).

After World War II breaks out, Jett visits the Benedicts and tries to convince Bick to allow oil production on his land to help the war effort. Bick finally realizes there is no one to take over the ranch after him and concedes. During this visit, Luz II, now a teen-aged girl, starts flirting with Jett. Once oil production starts, the wealthy Benedict family becomes even wealthier, depicted by the addition of a swimming pool next to the house. Jordy gets married to a young Mexican American woman and they have a son. Judy gets married to her long-term high school boyfriend and they too have a son.

The Benedict/Rink rivalry continues however, and it comes to a head when the Benedicts find out that Luz II and the much older Jett Rink have been dating. At a huge gala Jett organizes in his own honor, an irate Jordy tries to fight him, after realizing he and his Mexican American wife, Juana (Elsa Cárdenas), were invited just so Jett's employees could turn Juana away. Jett has his goons hold Jordy and punches him out in front of the crowd. Fed up, Bick then takes Jett to a kitchen room, about to fight him, but realizes that Jett is now just a drunken shell of a man, who has only his money. He tells him, "You're not even worth hitting. You're all through," and leaves, but not before symbolically and quite noisily caving in Rink's wine cellar shelves domino style. The party ends when Jett, completely drunk, slumps down in front of everyone before his big speech. Luz II sees him afterwards, once everyone has left the ballroom, and discovers that he is a lonely, pathetic wreck who can only repeat how much he still loves Leslie.

The Benedicts, all except Jordy, drive down an empty road to a diner. An altercation develops between the racist diner owner Sarge (Mickey Simpson), a Mexican family that just walked in who have no dollars but pesos, and Bick who intervenes on behalf of the Mexican family. A fist fight ensues when Bick stands up for the immigrant family against the racist Sarge, leaving Bick the loser who collapses over a table of pies. Sarge throws them out of the diner saying that it is his free right to refuse service to people he does not like, including paying customers.

In the final scene back at the ranch, Bick watches his two grandchildren playing in a crib with Leslie and reflects on his life and family. Leslie tells Bick that, after watching him lose the fight in the diner, she finally respects him and considers the Benedict family a success.

Download and play the Soundtrack list

Play Title Artist
Giant
Aurelia Dolores (Raul Aranas;Doreen Montalvo;Company)
John Michael LaChiusa: Performer
Did Spring Come to Texas? (Brian D'Arcy James)
John Michael LaChiusa: Performer
Your Texas (Kate Baldwin;Brian d'Arcy James)
John Michael LaChiusa: Performer
No Time for Surprises (Michele Pawk)
John Michael LaChiusa: Performer
Private Property (PJ Griffith)
John Michael LaChiusa: Performer
Outside Your Window (PJ Griffith;Kate Baldwin)
John Michael LaChiusa: Performer
He Wanted a Girl (Katie Thompson;Brian d'Arcy James)
John Michael LaChiusa: Performer
Heartbreak Country (Brian d'Arcy James;Kate Baldwin)
John Michael LaChiusa: Performer
Ruega por Nosotros (Doreen Montalvo;Servants)
John Michael LaChiusa: Performer
Look Back/Look Ahead (John Dossett;Brian d'Arcy James;Kate Baldwin;Company)
John Michael LaChiusa: Performer
Topsy Turvy (Kate Baldwin;Brian d'Arcy James)
John Michael LaChiusa: Performer
When to Bluff (PJ Griffith;Mackenzie Mauzy)
John Michael LaChiusa: Performer
One Day (PJ Griffith;Men)
John Michael LaChiusa: Performer
My Texas (Stocke;Kate Baldwin;Company)
John Michael LaChiusa: Performer
A Stranger (Kate Baldwin)
John Michael LaChiusa: Performer
Act One Finale (Brian d'Arcy James;PJ Griffith;John Dossett;Company)
John Michael LaChiusa: Performer
Disc Time:
John Michael LaChiusa: Performer
Our Mornings / That Thing (Brian d'Arcy James;Michele Pawk)
John Michael LaChiusa: Performer
Jump (Miguel Cervantes;Mackenzie Mauzy;Jon Fletcher)
John Michael LaChiusa: Performer
There is a Child (Natalie Cortez;Bobby Steggert)
John Michael LaChiusa: Performer
Un Béso, Béso! (Michele Pawk;Company)
John Michael LaChiusa: Performer
Place in the World (John Dossett;Brian d'Arcy James)
John Michael LaChiusa: Performer
Midnight Blues (Katie Thompson;Kate Baldwin)
John Michael LaChiusa: Performer
The Dog is Gonna Bark (PJ Griffith)
John Michael LaChiusa: Performer
Juana's Prayer (Natalie Cortez)
John Michael LaChiusa: Performer
The Desert (Brian d'Arcy James;Kate Baldwin)
John Michael LaChiusa: Performer
Aurelia Dolores Reprise/Act Two Finale (Bobby Steggert;Natalie Cortez;Company)
John Michael LaChiusa: Performer
Main Title and Hunt Scene*
Dimitri Tiomkin: Performer
Love Theme (There's Never Been Anyone Else But You)
Dimitri Tiomkin: Performer
Thoughts of Leslie*
Dimitri Tiomkin: Performer
First Love
Dimitri Tiomkin: Performer
Road to Reata
Dimitri Tiomkin: Performer
Meeting Jett/Texas Morning+
Dimitri Tiomkin: Performer
The Barbecue*
Dimitri Tiomkin: Performer
Leslie Stands Up to Luz*
Dimitri Tiomkin: Performer
Cattle/Branding*
Dimitri Tiomkin: Performer
Leslie and Jett*
Dimitri Tiomkin: Performer
Leslie Reaches Out–Death of Luz*
Dimitri Tiomkin: Performer
After Luz's Death*
Dimitri Tiomkin: Performer
Jett Surveys Little Reata*
Dimitri Tiomkin: Performer
Claire de Lune (Extended Version)* (Claude Debussy)
Dimitri Tiomkin: Performer
Making Up*
Dimitri Tiomkin: Performer
The Twins–Dr. Guerra*
Dimitri Tiomkin: Performer
Leslie Visits Jett*
Dimitri Tiomkin: Performer
Leslie Leaves Little Reata*
Dimitri Tiomkin: Performer
Little Luz*
Dimitri Tiomkin: Performer
Pony Ride*
Dimitri Tiomkin: Performer
Home for Thanksgiving*
Dimitri Tiomkin: Performer
Longing Thoughts*
Dimitri Tiomkin: Performer
Lacey's Wedding (Bridal Chorus from Lohengrin) (Richard Wagner)
Dimitri Tiomkin: Performer
Jordan Reclaims His Bride*
Dimitri Tiomkin: Performer
Drilling*
Dimitri Tiomkin: Performer
Jett Strikes Oil*
Dimitri Tiomkin: Performer
Too Rich to Kill*
Dimitri Tiomkin: Performer
Birth of Jetexas*
Dimitri Tiomkin: Performer
Parenting*
Dimitri Tiomkin: Performer
We're the Older Generation*
Dimitri Tiomkin: Performer
Jett Keeps Punchin'*
Dimitri Tiomkin: Performer
Toy Trumpet March–Christmas Morning–Angel's Return
Dimitri Tiomkin: Performer
Reata Goes for Oil*
Dimitri Tiomkin: Performer
Square Dance Medley (Arkansas Traveler–Little Brown Jug)*
Dimitri Tiomkin: Performer
The Star-Spangled Banner*
Dimitri Tiomkin: Performer
Invitation From Jett*
Dimitri Tiomkin: Performer
Wild Blue Yonder*
Dimitri Tiomkin: Performer
Flight to Hermosa*
Dimitri Tiomkin: Performer
Jett Rink Day (The Eyes of Texas Are Upon You)*
Dimitri Tiomkin: Performer
Jett and Luz at the Bottle Club*
Dimitri Tiomkin: Performer
Jett Left Alone*
Dimitri Tiomkin: Performer
Rejection*
Dimitri Tiomkin: Performer
Party and Storm*
Dimitri Tiomkin: Performer
Drunken Jett (Unused)*
Dimitri Tiomkin: Performer
Luz Goes to Jett*
Dimitri Tiomkin: Performer
Jett Feels Sorry for Himself
Dimitri Tiomkin: Performer
Sout* of the Border* –J. Kennedy–M.Carr
Dimitri Tiomkin: Performer
Fight Scene (The Yellow Rose of Texas) • (arr. Don George)
Dimitri Tiomkin: Performer
Uncle Bawley's Medley*
Dimitri Tiomkin: Performer
Home in Reata
Dimitri Tiomkin: Performer
End Title (The Eyes of Texas Are Upon You) •
Dimitri Tiomkin: Performer
Exit Music*
Dimitri Tiomkin: Performer
ALBUM TRACKS: Main Title
Dimitri Tiomkin: Performer
Hunt Scene
Dimitri Tiomkin: Performer
Jett Rink Theme
Dimitri Tiomkin: Performer
Romantic Interludes (Love Theme)
Dimitri Tiomkin: Performer
Jett Rink, Oil Baron
Dimitri Tiomkin: Performer
BONUS TRACKS: Leslie and Jett (Alternate 1)*
Dimitri Tiomkin: Performer
Leslie and Jett (Alternate 2)*
Dimitri Tiomkin: Performer
Drilling (Alternate)*
Dimitri Tiomkin: Performer
Exit Music (No Chorus)*
Dimitri Tiomkin: Performer
EAST OF EDEN: Main Title
Leonard Rosenman: Performer
Cal and Sam
Leonard Rosenman: Performer
Cal and His Father
Leonard Rosenman: Performer
My Mother?
Leonard Rosenman: Performer
Cal and Aron Meet Their Mother / End Title
Leonard Rosenman: Performer
REBEL WITHOUT A CAUSE: Main Title
Leonard Rosenman: Performer
The Gang / Chicken Run
Leonard Rosenman: Performer
Planetarium
Leonard Rosenman: Performer
Plato's Death / End Title
Leonard Rosenman: Performer
GIANT: Main Title
Leonard Rosenman: Performer
Love Theme
Leonard Rosenman: Performer
Fight Scene
Leonard Rosenman: Performer
End Title
Leonard Rosenman: Performer
Main Title (Giant Theme)
Dimitri Tiomkin: Performer
Toy Trumpet March / Christmas Morning / Angel's Return
Dimitri Tiomkin: Performer
Fight Scene (The Yellow Rose of Texas)
Dimitri Tiomkin: Performer
End Title (The Eyes of Texas are Upon You)
Dimitri Tiomkin: Performer
Main Title
Leonard Rosenman: Performer
Theme from Giant
Leonard Rosenman: Performer
There's Never Been Anyone Else But You
Leonard Rosenman: Performer
The Yellow Rose of Texas
Leonard Rosenman: Performer
Main Theme (From East of Eden)
Leonard Rosenman: Performer
Main Theme (From Rebel Without A Cause)
Leonard Rosenman: Performer

User reviews

Paul Martin
2/10

Furthermore, the score of Giant was inconsistent in tone and style, making it difficult to establish a cohesive atmosphere throughout the movie. The abrupt shifts in musical themes detracted from the overall viewing experience and left me feeling disconnected from the narrative.

Mark Hill
6/10

The soundtrack of Giant perfectly captures the emotional depth and complexity of the storyline, enhancing the viewing experience.

Michael Allen
8/10

The soundtrack of Giant brilliantly captures the emotional depth of the characters' relationships and conflicts, enhancing the storytelling experience.

Mary Thomas
7/10

The music perfectly conveys the evolving tensions and dynamics within the Benedict family, adding layers of complexity to the narrative and character development.

Donald Harris
5/10

The use of music in key moments, such as the confrontation between Bick and Jett, adds intensity and drama to the scenes, elevating the tension between the characters.

George Green
4/10

I found the soundtrack of Giant to be lacking in emotional depth and failed to capture the dramatic tension of the storyline. The music felt generic and uninspired, failing to enhance the pivotal moments of the film.

Donna Roberts
6/10

The subtle melodies woven throughout the film help to convey the passage of time and the evolving relationships within the Benedict family, providing a sense of continuity and cohesion.

Patricia Scott
9/10

The use of music in Giant is masterfully crafted, seamlessly blending with the narrative to create a rich and immersive viewing experience that stays with the audience long after the film ends.

Elizabeth Williams
6/10

Overall, the soundtrack of Giant is a masterful complement to the narrative, enriching the storytelling and leaving a lasting impression on the audience.

James Turner
8/10

The soundtrack's use of different musical motifs and themes for each character adds a rich and immersive element to the film, making the audience feel more connected to the story and its themes.

Paul Robinson
9/10

The musical score evokes a sense of nostalgia and longing, reflecting the complex relationships and dynamics between the characters in a poignant and moving way.

Karen Clark
10/10

The soundtrack of Giant perfectly captures the grandeur and emotional depth of the film's storyline, enhancing the impact of pivotal scenes.