• Hannibal (2006) Soundtrack OST •

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Rating: 6.80/10 from 1800 votes

Tags: hannibal character, carthage, hannibal barca

Alternate Names:

Title in Español:

Aníbal, el peor enemigo de Roma

Title in Italiano:

Synopsis

It is 200 years before the birth of Christ and Rome is the new superpower of the ancient world. She believes she is invincible - but one man is destined to change that.

He is a man bound by oath to avenge the wrongs inflicted on his home and, in pursuit of revenge, he will stop at nothing.

Hannibal explores the man behind the myth, revealing what drove the 26-year-old to mastermind one of the most audacious military moves in history.

With 40,000 soldiers and 37 elephants, he marched 1,500 miles to challenge his enemies on their own soil. It was an act so daring that few people believed it possible.

Hannibal combines drama, the latest historical research and state-of-the-art CGI to bring this spectacular story to life.

Download and play the Soundtrack list

Play	Title	Artist
	Hannibal
	Goldberg Variations, BWV 988: Goldberg Variations, BWV 988: Aria
	Concerto No.4 G major BWV 1049 : I. Allegro
	Premier tableau: l'adoration de la terre - intro..
	Nocturne in B Major, Op. 32: No. 1
	Nocturnes, Op. 9: No. 2, Andante in E-Flat Major
	Concerto in A Major for Clarinet and Orchestra, K. 622: II. Adagio (from 27 Dresses)
	Ballade No. 1 in G Major, Op. 23
	Handel: Giulio Cesare in Egitto, HWV 17, Act 3 Scene 3: No. 35, Aria, Piangerò la sorte mia" (Cleopatra)
	Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa
	Faust Act II: Le veau d'or
	24 Preludes, Op. 28: Prelude No. 13 in F-Sharp Major, Op. 28, No. 13
	Macbeth (1999 - Remaster): Patria oppressa! (Coro)
	The 4 Seasons: Violin Concerto In F Minor, Op. 8, No. 4, RV 297, "L'inverno" (Winter): II. Largo
	A Midsummer Night's Dream, Op. 61, Act II: Intermezzo (From "A Midsummer Night's Sex Comedy")
	Vision (O Euchari In Leta Via)
	Sonata No. 8 in C Minor for Piano, Op. 13, "Pathétique": II. Adagio cantabile
	The Well-Tempered Clavier, Book I: Well-Tempered Clavier, Book I: Prelude and Fugue No. 1 in C Major, BWV 846
	Preludes, Book 1: No. 4. Les sons et les parfums tournent dans l'air du soir
	Piano Trio in D Major, Op. 70 No. 1 "Ghost": II. Largo assai ed espressivo
	Vide Cor Meum (From "Hannibal")

User reviews

Betty Smith

6/10

Overall, the music of Hannibal serves as a powerful storytelling tool, enhancing the narrative and heightening the impact of key moments in the series. The combination of evocative melodies, dynamic rhythms, and atmospheric soundscapes creates a rich and captivating auditory experience that elevates the overall quality of the show.

Susan Perez

6/10

The musical score of Hannibal skillfully conveys the emotional depth and complexity of the characters, adding layers of nuance to their motivations and actions. The themes and motifs woven into the soundtrack help to illuminate the inner struggles and conflicts faced by the protagonists, making the viewing experience more immersive and engaging.

David Mitchell

8/10

Overall, the music of Hannibal is a standout element of the series, elevating the viewing experience to a whole new level.

Betty Wright

8/10

The haunting melodies and powerful rhythms in the soundtrack stay with you long after watching the series.

Amanda Lee

10/10

The use of traditional instruments and haunting vocals in the soundtrack adds a layer of authenticity to the storytelling, enhancing the viewer's connection to the characters and the historical events unfolding on screen. The music serves as a perfect accompaniment to the dramatic narrative, heightening the tension and excitement of Hannibal's audacious military campaign across the ancient world.

Linda Green

7/10

The soundtrack effectively conveys the emotional depth and complexity of the characters in the series.

Steven Gonzalez

8/10

The soundtrack of Hannibal showcases the composer's talent in crafting memorable and evocative music.

Nancy Perez

7/10

The soundtrack of Hannibal perfectly captures the epic and dramatic nature of the story, immersing the listener in the world of ancient Rome.

George Mitchell

1/10

The soundtrack of Hannibal lacked originality and failed to evoke the ancient Roman setting effectively. The music felt generic and uninspired, failing to capture the grandeur and intensity of the historical events portrayed in the series.

Karen Parker

9/10

The soundtrack of Hannibal truly captivates the essence of the ancient world with its powerful and evocative compositions. Each piece immerses the listener in the grandeur and intensity of Rome's rise to power, creating a cinematic experience that is both epic and emotional.

Michelle Rodriguez

7/10

The music of Hannibal enhances the visual storytelling, creating a seamless and engaging viewing experience.

Carol Wilson

7/10

The composer's ability to evoke a sense of tension and suspense through the music enhances the storytelling of the series.

Anthony Green

7/10

The use of different musical themes for various characters adds depth and dimension to the storytelling.

John Garcia

7/10

The use of traditional instruments in the music adds an authentic and immersive feel to the overall listening experience.

Robert Thompson

3/10

I found the use of CGI in Hannibal distracting and overwhelming, overshadowing the potential impact of the soundtrack. The music often felt like background noise rather than a powerful complement to the visuals, resulting in a disconnect between the emotional depth of the story and the auditory experience.

Joshua Baker

6/10

The soundtrack of Hannibal effectively captures the epic and dramatic nature of the story, enhancing the tension and suspense throughout the series. The use of orchestral arrangements and haunting melodies creates a sense of grandeur and intensity that complements the historical setting of the show.