• Laurel Canyon: A Place in Time (2020) Soundtrack OST •

Laurel Canyon: A Place in Time Soundtrack (2020) cover

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Rating: 8.20/10 from 1300 votes

Tags: laurel canyon

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Synopsis

Laurel Canyon is a 2002 film directed by Lisa Cholodenko. The movie follows a young couple, Sam and Alex, who move to Los Angeles to stay at Sam's mother's house in Laurel Canyon while she is away. Sam is a straight-laced medical student, while Alex is a free-spirited music producer.

As they settle into the house, they are introduced to Sam's mother's rock star boyfriend, Ian, and his bandmates. The couple soon finds themselves caught up in the hedonistic lifestyle of the music industry, leading to temptation and infidelity.

Laurel Canyon explores themes of love, desire, and the clash between responsibility and freedom. The film features a stellar cast, including Frances McDormand, Christian Bale, Kate Beckinsale, and Alessandro Nivola.

As tensions rise and relationships are tested, Sam and Alex must confront their own desires and priorities. Will they succumb to the allure of Laurel Canyon, or will they find a way to navigate the complexities of love and ambition?

Download and play the Soundtrack list

Play	Title	Artist
	Laurel Canyon: A Place in Time
	Happy Together
	Mr. Tambourine Man
	Ox Driver
	You Showed Me
	You'll Be Following
	Lucille
	Mr. Tambourine Man - Alternate Take
	Neighbor Don't You Worry - Remix
	Mr. Soul
	Down Down Down - Remix
	When the Music's Over - 2017 Remaster
	Light My Fire - 2017 Remaster
	Hey Joe - Stereo Version
	My Little Red Book - Stereo Version
	Lucille - Live at the London Fog, 1966
	People Are Strange - 2017 Remaster
	Nobody Likes Me (Live)
	Reflected
	(Theme From) The Monkees - Original Stereo Version; 2006 Remaster
	Last Train to Clarksville - Original Stereo Version; 2006 Remaster
	For What It's Worth
	Creeque Alley - Single Version
	I Saw Her Again - Single Version
	Got A Feelin'
	California Dreamin' - Single Version
	Ladies of the Canyon
	Song to a Seagull
	Twelve Thirty - Single Version
	Carrie Anne
	You Don't Have To Cry [1968 Demo]
	You Don't Have to Cry - 2005 Remaster
	Helplessly Hoping - 2005 Remaster
	Long Time Gone - 2005 Remaster
	Down by the River - 2009 Remaster
	Suite: Judy Blue Eyes - 2005 Remaster
	So You Want to Be a Rock 'N' Roll Star
	Take It Easy
	Star Spangled Banner - Live at The Woodstock Music & Art Fair, August 18, 1969
	Woodstock
	Our House - Demo
	Our House
	Boys And Girls Together
	Hot Burrito #1
	The Dark End of the Street
	Dark End Of The Street
	L.A. Woman
	Song with No Words
	Six Days On The Road
	Ohio
	Find the Cost of Freedom
	Peace Frog
	Love Street - 2018 Remaster
	Song for Adam
	These Days
	Doctor My Eyes
	Lazy Days
	New Hard Times
	I Fall To Pieces
	Faithless Love

User reviews

Nancy Phillips

6/10

The blend of rock classics and modern compositions in the soundtrack creates a dynamic listening experience that resonates with the film's exploration of love, ambition, and self-discovery.

Ronald Clark

8/10

The blending of original compositions with classic hits in the film's soundtrack creates a rich tapestry of sound that resonates with the audience long after the movie ends.

Kimberly Carter

6/10

The soundtrack of Laurel Canyon effectively underscores the tension between the characters' desires for freedom and their responsibilities, enhancing the thematic depth of the narrative.

Thomas Green

7/10

The soundtrack features iconic tracks from legendary artists such as The Byrds, Joni Mitchell, and The Mamas & The Papas, adding a nostalgic and timeless quality to the movie.

Linda Harris

10/10

Each song selected for the soundtrack enhances the mood and emotions of the characters, creating a rich and dynamic atmosphere that draws the audience deeper into the story.

Sarah Robinson

8/10

Each song in the soundtrack feels purposeful and significant, contributing to the development of the characters and the unfolding of the plot.

Kimberly Rodriguez

7/10

The soundtrack not only serves as background music but also as a character in its own right, shaping the mood and tone of each scene with precision.

David Baker

8/10

The use of music as a storytelling tool in Laurel Canyon is masterful, enhancing the themes of love, temptation, and personal growth throughout the film.

Richard Garcia

5/10

The use of iconic songs from bands like The Doors and The Mamas & The Papas enhances the storytelling, creating a nostalgic atmosphere that pulls the audience into the world of Laurel Canyon.

Andrew Robinson

6/10

The songs featured in the movie serve as a backdrop for the characters' evolution, mirroring their struggles and growth throughout the story.

Margaret Anderson

5/10

The original score of the movie complements the classic rock tracks, providing a contemporary touch that blends seamlessly with the period music.

Joseph Turner

7/10

The songs chosen for key moments in the film evoke powerful emotions, effectively drawing the audience into the characters' struggles and conflicts.

Patricia Garcia

1/10

The songs selected for key moments in the movie often felt out of place or forced, detracting from the overall impact of the scenes and hindering the viewer's immersion in the narrative.

Steven Campbell

8/10

The music selection in the film is diverse and well-curated, showcasing a range of genres from folk rock to psychedelic rock, enhancing the overall atmosphere of the story.

Lisa Wilson

10/10

The music choices are diverse and carefully curated, reflecting the different personalities and conflicts of the characters in the film, making the soundtrack a vital component in conveying the themes of love, desire, and the struggle between responsibility and freedom.

William Brown

4/10

The music choices seemed cliché and predictable, failing to bring anything fresh or innovative to the storytelling of the film.

Robert Brown

5/10

The music choices in the film reflect the characters' emotional journeys, adding layers of complexity to their relationships and inner conflicts.

Joshua Martin

6/10

The music in Laurel Canyon not only sets the mood for the scenes but also acts as a character in its own right, shaping the narrative and enhancing the audience's connection to the story.