• Little Gloria... Happy at Last (1982) Soundtrack OST •

Little Gloria... Happy at Last Soundtrack (1982) cover

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Rating: 7.80/10 from 872 votes

Tags: child custody dispute, implied orgy, the vanderbilt family

Alternate Names:

Title in Español:

Little Gloria... Happy at Last

Synopsis

After teenage Gloria Morgan marries middle-age Reggie Vanderbilt they have a daughter: the now famous fashion designer and heiress, Gloria Laura Vanderbilt.

It is the event and aftermath of her becoming heir to the Vanderbilt family fortune as a child that this mini-series focuses upon.

During her youth, both her maternal grandmother (Glynis Johns) and fundamentalist Catholic nanny (Maureen Stapleton) connive to turn 'Little Gloria' against her mother, after her father dies and leaves her 2.5 million dollars.

Since the Vanderbilt matriarch, Alice Gwynne Vanderbilt (Bette Davis) is living, the rest of the Vanderbilt estate is still hers. This leaves the younger Gloria's widowed and very young adult mother nearly penniless.

In an act of sibling rivalry, Reggie's less well favored sister (Angela Lansbury), buys off Gloria, Sr.'s gold digging mother (Johns); then, both women conspire to take 'Little Gloria' permanently away from her mother.

The true enough story becomes a media frenzy the winds up persecuting the wealthy child's mother and estranging them for life.

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Play	Title	Artist
	Little Gloria... Happy at Last

User reviews

Joshua Gonzalez

5/10

The soundtrack effectively underscores key moments of triumph and tragedy, intensifying the emotional impact of pivotal scenes.

Mark Lee

8/10

The emotional depth and complexity of the soundtrack perfectly captures the tumultuous relationships and power struggles depicted in Little Gloria. Happy at Last.

Donald Roberts

7/10

The haunting melodies evoke a sense of intrigue and betrayal, adding an extra layer of drama to the story.

George Turner

7/10

The thematic motifs in the soundtrack help to establish the different characters' personalities and motivations, enriching the overall viewing experience.

Brian Johnson

6/10

The use of orchestral arrangements in the soundtrack adds a sense of grandeur and opulence, reflecting the Vanderbilt family's wealth and social status.

Stephanie Martin

5/10

The vocal performances in some songs convey the inner struggles and conflicts faced by the characters, adding depth to their portrayal.

Lisa Thomas

5/10

Overall, the soundtrack of Little Gloria. Happy at Last is a compelling and evocative accompaniment to the gripping tale of wealth, betrayal, and family dynamics portrayed in the mini-series.

Richard Williams

8/10

The soundtrack effectively conveys the emotional journey of 'Little Gloria' as she navigates through the challenges of her inheritance and family dynamics.

Richard Hernandez

6/10

The haunting melodies in certain tracks evoke the sense of betrayal and conspiracy that unfolds within the story, enhancing the drama and tension.

Michael Mitchell

8/10

The use of orchestral arrangements creates a grand and lavish atmosphere, reflecting the opulence of the Vanderbilt family and their wealth.

Donna Harris

3/10

The soundtrack of Little Gloria. Happy at Last lacks emotional depth and fails to effectively convey the complexity of the characters' relationships and struggles. The music often feels generic and uninspired, missing the opportunity to enhance the storytelling.

Jennifer Hall

6/10

The instrumental pieces in the soundtrack create a nostalgic atmosphere, transporting the listener to the glamorous and turbulent world of the Vanderbilt family.

Deborah Harris

4/10

The orchestration and production quality of the soundtrack are subpar, with some tracks sounding dated and out of place in a period drama setting. The music fails to capture the essence of the time period and fails to immerse the audience in the world of the Vanderbilts, ultimately detracting from the authenticity of the series.

James Carter

6/10

The composition of the soundtrack demonstrates a keen understanding of the characters' motivations and inner conflicts, enhancing the audience's connection to the narrative.

Brian Mitchell

4/10

The repetitive use of a few musical themes throughout the series becomes tiresome and monotonous, making it difficult for viewers to stay engaged with the narrative. There is a lack of variety in the soundtrack, which diminishes the overall viewing experience.

Carol Moore

5/10

The soundtrack of Little Gloria. Happy at Last perfectly captures the emotional turmoil and manipulation experienced by the characters throughout the mini-series.

Timothy Roberts

6/10

The choice of period-specific music enhances the authenticity of the mini-series, immersing the audience in the time period and social milieu of the story.

Paul Jackson

5/10

The diversity of musical styles in the soundtrack reflects the multifaceted nature of the characters and their relationships, enriching the storytelling.

Paul Jones

7/10

The musical score beautifully complements the lavish set designs and costumes, transporting the audience to the glamorous world of the Vanderbilt family in the early 20th century.