Scarface Soundtrack (

Scarface Soundtrack (1983) cover

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Rating: 8.30/10 from 920000 votes
Tags: cuban refugee, villain as protagonist
Alternate Names:
Title in Español:

El precio del poder
Title in Italiano:

Scarface
Title in Português:

Scarface - A Força do Poder

Synopsis

Tony Montana manages to leave Cuba during the Mariel exodus of 1980. He finds himself in a Florida refugee camp but his friend Manny has a way out for them: undertake a contract killing and arrangements will be made to get a green card. He's soon working for drug dealer Frank Lopez and shows his mettle when a deal with Colombian drug dealers goes bad. He also brings a new level of violence to Miami.

Tony is protective of his younger sister but his mother knows what he does for a living and disowns him. Tony is impatient and wants it all however, including Frank's empire and his mistress Elvira Hancock. Once at the top however, Tony's outrageous actions make him a target and everything comes crumbling down.

Download and play the Soundtrack list

Play Title Artist
Scarface
Scarface (Push It to the Limit)
Giorgio Moroder: Performer
Pete Bellotte: Lyrics
Paul Engemann: Performer
Rush Rush
Giorgio Moroder: Performer
Debbie Harry: Performer
Debbie Harry: Lyrics
Turn Out the Night
Giorgio Moroder: Performer
Pete Bellotte: Lyrics
Amy Holland: Performer
Vamos a Bailar
Tony's Theme
Giorgio Moroder: Performer
She's on Fire
Giorgio Moroder: Performer
Pete Bellotte: Lyrics
Amy Holland: Performer
Shake It Up
Giorgio Moroder: Performer
Giorgio Moroder: Lyrics
Elizabeth Daily: Performer
Dance Dance Dance
Giorgio Moroder: Performer
Giorgio Moroder: Lyrics
Beth Anderson: Performer
I'm Hot Tonight
Giorgio Moroder: Performer
Giorgio Moroder: Lyrics
Elizabeth Daily: Performer
Gina's and Elvira's Theme
Giorgio Moroder: Performer
Helen St. John: Performer
Strangers in the Night
Frank Sinatra: Performer
Bert Kaempfert: Performer
Charles Singleton: Lyrics
Turn Out the Light
Giorgio Moroder: Performer
Pete Bellotte: Lyrics
Amy Holland: Performer
Tony's Theme
Giorgio Moroder: Performer
She's on Fire
Amy Holland: Performer
I'm Hot Tonight
Elizabeth Daily: Performer
Gina's and Elvira's Theme
Helen St. John: Performer
Main Title – Scarface
Giorgio Moroder: Performer
Rebenga
Giorgio Moroder: Performer
Chainsaw / Tony Rescued
Giorgio Moroder: Performer
I Got The Yeyo
Giorgio Moroder: Performer
Elvira
Giorgio Moroder: Performer
Night Drive
Giorgio Moroder: Performer
Gina
Giorgio Moroder: Performer
She's Not For You
Giorgio Moroder: Performer
Bolivia
Giorgio Moroder: Performer
Sosa / Talk To Frank
Giorgio Moroder: Performer
Omar Out / Don't Fuck Me
Giorgio Moroder: Performer
Proposal
Giorgio Moroder: Performer
Tony Spots Gina / Tony Slaps Gina / Tony Guilty / Shooters
Giorgio Moroder: Performer
What About You? / Open Fire / Tony Escapes
Giorgio Moroder: Performer
Just Paranoid
Giorgio Moroder: Performer
Lopez Begs
Giorgio Moroder: Performer
Bye Bernstein
Giorgio Moroder: Performer
The World Is Yours
Giorgio Moroder: Performer
Plant The Plastic
Giorgio Moroder: Performer
The Chase
Giorgio Moroder: Performer
409 Citrus Drive
Giorgio Moroder: Performer
Paranoid Tony / Gina's Grief
Giorgio Moroder: Performer
Back To The House
Giorgio Moroder: Performer
Tony's Grief / Attack Begins / Crazy Gina / Attack Continues
Giorgio Moroder: Performer
Gina Dead / Chi-Chi Wasted
Giorgio Moroder: Performer
Finale (From The Motion Picture “Scarface”)
Giorgio Moroder: Performer
End Title – Scarface
Giorgio Moroder: Performer
Trailer Music (Unused)
Giorgio Moroder: Performer
Disc Time:
Giorgio Moroder: Performer
ORIGINAL SOUNDTRACK ALBUM: Scarface (Push It To The Limit) (Paul Engemann)
Giorgio Moroder: Performer
Rush, Rush (Album Version) (Deborah Harry)
Giorgio Moroder: Performer
Turn Out The Light (Amy Holland)
Giorgio Moroder: Performer
Vamos A Bailar (Maria Conchita)
Giorgio Moroder: Performer
Tony's Theme (Giorgio Moroder)
Giorgio Moroder: Performer
She's On Fire (Amy Holland)
Giorgio Moroder: Performer
Shake It Up (Elizabeth Daily)
Giorgio Moroder: Performer
Dance Dance Dance (Beth Andersen)
Giorgio Moroder: Performer
I'm Hot Tonight (Elizabeth Daily)
Giorgio Moroder: Performer
Gina And Elvira's Theme (Giorgio Moroder)
Giorgio Moroder: Performer
ADDITIONAL MUSIC: Scarface (Push It To The Limit) (Extended Version) (Paul Engemann)
Giorgio Moroder: Performer
Rush, Rush (Deborah Harry)
Giorgio Moroder: Performer
Right Combination (Beth Andersen)
Giorgio Moroder: Performer
Car Getaway Source
Giorgio Moroder: Performer
Cuban I
Giorgio Moroder: Performer
Cuban II
Giorgio Moroder: Performer
Cuban III
Giorgio Moroder: Performer
Muzak I
Giorgio Moroder: Performer
Muzak II
Giorgio Moroder: Performer
Muzak III
Giorgio Moroder: Performer
Disco I
Giorgio Moroder: Performer
Disco II
Giorgio Moroder: Performer
Success (Joe Esposito)
Giorgio Moroder: Performer
Scarface (Push It To The Limit) (Paul Engemann)
Giorgio Moroder: Performer
Rush Rush (Deborah Harry)
Giorgio Moroder: Performer
Gina's and Elvira's Theme (Giorgio Moroder)
Giorgio Moroder: Performer

User reviews

Andrew Thomas
8/10

The emotional and haunting melodies in certain tracks evoke the complex relationships and inner conflicts of the characters, adding depth to the storytelling.

Jennifer Perez
7/10

The soundtrack effectively mirrors the rise and fall of Tony Montana, building up to epic crescendos during key moments of triumph and tragedy.

Michelle Harris
9/10

The Scarface soundtrack perfectly captures the intense and gritty atmosphere of the film, immersing the listener in the world of Tony Montana's rise and fall.

David Wright
3/10

I found the musical choices in Scarface to be overly dramatic and distracting at times. Instead of enhancing the gritty realism of Tony's story, the bombastic orchestral score often overshadowed the intense scenes, making them feel almost comical rather than impactful.

Amanda Wright
2/10

The soundtrack of Scarface felt repetitive and uninspired to me. The same dramatic synth beats and Latin-inspired melodies seemed to be recycled throughout the entire film, failing to capture the full range of emotions and intensity of Tony Montana's rise and fall.

Deborah Clark
5/10

The iconic main theme of Scarface sets the tone for the entire movie, creating a sense of power and danger that mirrors Tony Montana's rise to the top of the criminal underworld.

Daniel Mitchell
5/10

The musical choices in Scarface enhance the emotional impact of key scenes, such as the violent confrontations and dramatic betrayals that define Tony Montana's journey.

Daniel Williams
8/10

The Scarface soundtrack perfectly captures the intense and gritty atmosphere of the film, enhancing every scene with its powerful music.

James Clark
10/10

The powerful and dramatic orchestral pieces in the soundtrack elevate key moments in the film, adding depth and emotion to Tony Montana's journey from refugee to ruthless drug kingpin.

Michelle Hill
7/10

The use of synthesizers and electric guitars in the soundtrack creates a sense of urgency and tension, reflecting Tony's relentless pursuit of power.

Laura Thompson
6/10

Overall, the soundtrack of Scarface is a crucial element in immersing the audience in the world of excess, ambition, and downfall that characterizes the film.

Lisa Scott
8/10

The diverse range of musical styles in the soundtrack, from Latin rhythms to dramatic orchestral pieces, adds richness and diversity to the overall listening experience.

Brian Baker
8/10

The iconic main theme of Scarface immediately immerses the listener in Tony Montana's world of ambition, violence, and betrayal.

Michael Hill
9/10

The use of iconic 80s synth sounds in the soundtrack adds a nostalgic and retro vibe to the music, enhancing the overall mood of the film and creating a sense of time and place.

Margaret Baker
6/10

The soundtrack of Scarface perfectly captures the intense and gritty atmosphere of the film. The use of synthesizers and electronic beats adds a sense of urgency and tension to the story.

Andrew Carter
8/10

Overall, the Scarface soundtrack is a masterful composition that elevates the film to a whole new level, leaving a lasting impression on the audience long after the credits roll.