• The End of Love (2012) Soundtrack OST •

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Rating: 5.90/10 from 1900 votes

Tags: high, baby seat

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Synopsis

Mark is an actor, recently widowed and the father of two year old Isaac. Beyond Mark's time with Isaac who he truly loves, Mark's life is a mess. He is struggling as an actor, always hoping but somewhat delusional about his chances at getting the acting jobs for which he's auditioned. He makes no attempt at earning a living in any other manner. As such, he often needs to borrow money from his friends, always saying that the money will be returned soon. They share an apartment with Tim and Ray - it being Tim's apartment - and are behind in paying Tim rent, their share which Tim has to cover in the meantime. Mark wants to lead the Hollywood actor life, which is made all the more difficult in being Isaac's sole caregiver. Mark has intimacy issues stemming solely from the last encounter he had with his wife before her tragic accidental death. All these issues combined lead to Mark not being able to provide Isaac with much of a life, again beyond the time that they are able to spend together.

Mark's life may take a turn when he and Isaac meet Lydia, the owner/operator of a children's playspace. Lydia is a single mother herself of adolescent Bebel. Mark and Lydia are attracted to each other. Lydia's life is more put together than Mark's, and their relationship may have that hurdle of Mark's intimacy issue to survive.

Download and play the Soundtrack list

Play	Title	Artist
	The End of Love
	Last Cab From Tunis	Ben Maddox: Writer

User reviews

Robert Martinez

8/10

The soundtrack's seamless integration with the film's narrative enhances the emotional impact of key scenes, creating a powerful cinematic experience that stays with the audience.

Kenneth Wright

6/10

I appreciate how the music in The End of Love mirrors Mark's intimacy issues and the impact they have on his relationships.

Carol Lee

6/10

Overall, the soundtrack of The End of Love serves as a powerful and evocative companion to the film's narrative, enhancing the viewer's connection to the characters and their journey.

Carol Thompson

5/10

The music choices in the film underscore the themes of love, loss, and redemption, adding layers of emotional depth to the storytelling.

Jennifer Turner

7/10

The cinematic quality of the soundtrack elevates the film's storytelling, immersing viewers in the characters' emotional journey and enhancing the overall viewing experience.

Michael Nelson

7/10

The soundtrack's use of ambient sounds and minimalist instrumentation adds a sense of realism to the film, making the characters' experiences feel more authentic and relatable.

Elizabeth Baker

6/10

The use of music in key moments of the film enhances the storytelling and adds depth to the characters' emotions.

David Hall

8/10

The haunting melodies in the soundtrack evoke a sense of melancholy that mirrors Mark's internal turmoil and grief after the death of his wife.

Thomas Parker

4/10

The soundtrack of The End of Love failed to capture the emotional depth and complexity of the main character, Mark. It lacked the poignant melodies and haunting themes that could have enhanced the viewer's connection to Mark's struggles as a widowed father and struggling actor.

Emily Hill

7/10

The soundtrack effectively sets the tone for the film, establishing a somber and reflective atmosphere that resonates with the audience long after the movie ends.

Donna Turner

7/10

Overall, the evocative and well-crafted soundtrack of The End of Love serves as a powerful emotional anchor, enriching the storytelling and bringing the characters' struggles to life in a profound and moving way.

William Lewis

7/10

The emotional depth and raw authenticity of the soundtrack perfectly captures the struggles and complexities of Mark's character in The End of Love.

Patricia Allen

3/10

The lack of a cohesive musical motif or theme throughout the film made the soundtrack forgettable and unremarkable. It failed to leave a lasting impression or evoke any strong emotions, missing an opportunity to elevate the storytelling and character development in The End of Love.

Mark Wright

6/10

The soundtrack skillfully reflects Mark's delusional optimism about his acting career, creating a sense of tension and uncertainty.

James Nelson

3/10

The music in The End of Love felt out of place and distracting at times, detracting from the overall atmosphere of the film. Instead of complementing the on-screen emotions and narrative, the soundtrack often felt disjointed and jarring, failing to create a cohesive listening experience.

Robert Anderson

5/10

The soundtrack of The End of Love perfectly captures the emotional complexity of the main character, Mark, and his struggles as a father and actor.

Matthew Perez

5/10

The soundtrack's melancholic melodies evoke a sense of melancholy and longing, mirroring Mark's yearning for a better life for himself and his son.

Elizabeth Hill

7/10

The incorporation of acoustic guitar in certain scenes creates a sense of intimacy and vulnerability, reflecting Mark's struggles with intimacy issues.

Richard Thompson

8/10

The soundtrack's composition beautifully underscores the bond between Mark and Isaac, highlighting the unconditional love and connection between a father and son.

Nancy Smith

8/10

The use of subtle piano compositions in key moments enhances the film's poignant moments and adds layers of emotional depth to the narrative.

James Moore

6/10

The variety of musical styles and tones in the soundtrack helps to showcase the different facets of Mark's character and his interactions with others.