The Misfits Soundtrack (

The Misfits Soundtrack (1961) cover

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Rating: 7.20/10 from 23000 votes
Alternate Names:
Title in Español:

Vidas rebeldes
Title in Italiano:

Gli spostati
Title in Português:

Os Inadaptados
Title in Français:

Les désaxés
Title in Türk:

The Misfits
Title in Deutsch:

Misfits - Nicht gesellschaftsfähig

Synopsis

In Reno, Nevada, Roslyn Tabor (Monroe), a beautiful new divorcee, meets aging cowboy Gay Langland (Gable). Guido (Wallach) and Gay invite Roslyn and her friend Isabelle Steers (Ritter) to Guido's place in the country to help her forget about the divorce. They arrive at the half-finished house Guido built for his wife, who had died during childbirth. They drink and dance. Roslyn has too much to drink, so Gay drives her home.

Eventually, the two move into Guido's half-finished house and start to work on it. One day after breakfast, Gay tells Roslyn how he wishes he were more of a father to his own children, whom he has not seen for some years. Later that afternoon, Roslyn and Gay have a fight when he decides to kill a rabbit that is eating from the vegetable garden they have planted.

When Guido and Isabelle show up, Gay suggests rounding up wild mustangs to sell. They go to a local rodeo in Dayton, NV to hire a third man for the job. Along the way, they meet Perce Howland (Clift), a friend of Gay's who is on his way to the rodeo to compete. Gay offers to pay for the broke Perce's $10.00 entry fee if he helps them with the mustangs afterward. In a bar Roslyn wins $145 on hitting a Paddle ball continually, she later gives some of the money to the church Lady. Outside the bar, Isabelle sees her ex-husband Charles and his wife of 19 years Clara, she decides to invite them to her home instead of going in a mustang with Roslyn and the others.

At the rodeo, Roslyn becomes upset when Guido tells her how the horses are made to buck with an irritating flank strap. She declares that all rodeos should be banned. Later, after Perce is thrown by a horse, Roslyn begs him to go to a hospital, but he insists on riding a bull. He gets thrown again, resulting in a head injury.

Later, after Roslyn dances with Perce, he passes out in a back alley. When he regains consciousness, he sees her crying over him. He says that he never had anyone cry for him before and that he wished he had a friend to talk to. He tells her how his mother changed after his father died. She gave his stepfather the ranch his father wanted to leave to Perce. A drunken Gay then fetches Roslyn, telling her that he wants her to meet his kids, whom he unexpectedly ran into. But Gay causes a public scene when he discovers his children have not waited around.

Later on, during the drive home, a drunken Guido asks if Roslyn has left Gay and offers to take his place. Back at Guido's house, Perce comes to and nearly tears his bandages off, forgetting about his recent injury. Roslyn puts him to bed. She then sits down with Gay. He asks her if a woman like her would ever want to have a child with him. She avoids the issue, and Gay goes to bed.

The next day, Gay, Guido and Perce prepare to go after the mustangs. Roslyn reluctantly tags along. After they catch a stallion and four mares, she screams that she hates the men when she learns that the mustangs will be sold for dog food. She then tells Gay she did not know she was falling in love with a killer. He tells her that he did things for her that he never did for any other woman, such as making the house a home and planting the garden.

She begs Gay to release the horses. He considers doing it, but when she offers to pay $200, it angers him. Guido tells Roslyn that he would let them go if she would leave Gay for him. She rebuffs him coldly. Perce also asks her if she wants him to set the horses free, but she declines because she thinks it would only start a fight. He frees the stallion anyway.

After Gay chases down and subdues the horse all by himself, he lets it go and says he just did not want anybody making up his mind for him. They get into Gay's truck. As they're driving Roslyn tells Gay: I'll leave tomorrow, OK. The truck stops to pick up Gay's dog. Roslyn gets out and Gay, his heart melting watches as Roslyn joyfully removes the tether from the dog. Roslyn gets into the truck and Gay says: "I bless you girl" He and Roslyn drive off under the starry night sky.

Download and play the Soundtrack list

Play Title Artist
The Misfits
Main Title (from "The Bad Seed")
Alex North: Performer
Our Baby
Alex North: Performer
Confession / Details
Alex North: Performer
At It Again
Alex North: Performer
Gay And Roselyn
Alex North: Performer
Gathering Of Forces
Alex North: Performer
Main Title (from "A Streetcar Named Desire") / New Orleans Street
Alex North: Performer
Blanche
Alex North: Performer
Four Deuces
Alex North: Performer
Mania
Alex North: Performer
Belle Reve
Alex North: Performer
Main Title (from "Spartacus")
Alex North: Performer
Forest Meeting
Alex North: Performer
Vesuvius Camp
Alex North: Performer
Camp At Night
Alex North: Performer
Draba Fight
Alex North: Performer
Final Farewell
Alex North: Performer
Main Theme
Alex North: Performer
Rendezvous
Alex North: Performer
New Life
Alex North: Performer
Rosalyn
Alex North: Performer
Love's Reverie
Alex North: Performer
Love Idyll
Alex North: Performer
Paddleball
Alex North: Performer
Reno Bar Dance
Alex North: Performer
Compassion / Compassion for Guido
Alex North: Performer
Help
Alex North: Performer
The Round-Up (Disagreement, Round-Up, Chase, Tension)
Alex North: Performer
Trying For Freedom
Alex North: Performer
Resolved Part I
Alex North: Performer
Resolved - End Title
Alex North: Performer
Rosalyn (The Misfits Theme)
Alex North: Performer
Theme from "Exodus"
Malcolm Arnold: Performer
Never On Sunday
Malcolm Arnold: Performer
The Magnificent Seven
Malcolm Arnold: Performer
The Green Leaves of Summer
Malcolm Arnold: Performer
Smile
Malcolm Arnold: Performer
The Big Country
Malcolm Arnold: Performer
I Want To Live
Malcolm Arnold: Performer
Theme from "The Unforgiven"
Malcolm Arnold: Performer
Theme from "The Apartment"
Malcolm Arnold: Performer
On The Beach
Malcolm Arnold: Performer
Theme from "The Horse Soldiers"
Malcolm Arnold: Performer
Theme from "The Vikings"
Malcolm Arnold: Performer
Theme from "The Wonderful Country"
Malcolm Arnold: Performer
Some Like It Hot
Malcolm Arnold: Performer
Theme from "Solomon and Sheba"
Malcolm Arnold: Performer
Diggin' In The Morning
Malcolm Arnold: Performer
Theme from "Goodbye Again'
Malcolm Arnold: Performer
Theme from "Gone with the Wind"
Malcolm Arnold: Performer
Main Title from "Elmer Gantry"
Malcolm Arnold: Performer
Love Theme from "One Eyes Jacks"
Malcolm Arnold: Performer
Love Song from "Houseboat"
Malcolm Arnold: Performer
Theme from "The Naked Maja"
Malcolm Arnold: Performer
I Wanna Be Loved By You (Marilyn Monroe)
Malcolm Arnold: Performer
I Loves You Porgy
Malcolm Arnold: Performer
Take the "A" Train (Louis Armstrong)
Malcolm Arnold: Performer
Theme from "Moulin Rouge"
Malcolm Arnold: Performer
Theme from "The Misfits"
Malcolm Arnold: Performer
Bonanza
Malcolm Arnold: Performer
Odds Against Tomorrow
Malcolm Arnold: Performer
Main Theme (from Goodbye Again)
Georges Auric: Performer
Mon Paris
Georges Auric: Performer
Love's Reverie (from The Misfits)
Georges Auric: Performer
Main Title (from Two For The Seesaw)
Georges Auric: Performer
Our Language Of Love (from Irma La Douce)
Georges Auric: Performer
Live For Life (from Live For Life)
Georges Auric: Performer
Theme To Catherine
Georges Auric: Performer
Orchestral Theme (from Buono Sera, Mrs. Campbell)
Georges Auric: Performer
The Tango I Saved For You (from Gaily, Gaily)
Georges Auric: Performer
It Ought To Be Forever (from The Happy Ending)
Georges Auric: Performer
What Are You Doing The Rest Of Your Life?
Georges Auric: Performer
Love Is A Funny Thing (from Love Is A Funny Thing)
Georges Auric: Performer
Last Tango In Paris - tango (from Last Tango In Paris)
Georges Auric: Performer

User reviews

Lisa Adams
10/10

The use of music in key scenes such as the rodeo and the intimate conversations between the characters adds an extra layer of depth to the storytelling, making the audience feel more connected to the characters' inner struggles and personal growth. The soundtrack truly elevates the overall viewing experience, leaving a lasting impression of the film's themes of love, loss, and self-discovery.

Carol Lee
5/10

The use of traditional Western instruments in the soundtrack adds authenticity to the setting and helps immerse the audience in the world of cowboys and wild mustangs.

Ashley Garcia
7/10

The soundtrack of The Misfits perfectly captures the emotional depth and complexity of the characters' relationships throughout the film.

Karen Robinson
5/10

The music in The Misfits serves as a powerful storytelling tool, accentuating the characters' inner turmoil and adding depth to their interactions and decisions.

George Lopez
7/10

The use of traditional country and western tunes in the soundtrack adds a layer of authenticity to the story, making the characters' struggles and conflicts feel even more poignant and relatable.

Patricia Jackson
7/10

Overall, the soundtrack of The Misfits serves as a powerful and evocative companion to the film, enriching the viewing experience and leaving a lasting impression on the audience.

Brian Johnson
6/10

The soundtrack effectively conveys the bittersweet nature of the characters' journey, highlighting their individual growth and personal revelations.

Mary Brown
1/10

The lack of a cohesive musical theme throughout the film made it challenging to establish a strong emotional connection with the characters and their journeys. The soundtrack felt disjointed and did not flow seamlessly with the narrative, impacting the overall impact of the film.

Brian Mitchell
9/10

The soundtrack of The Misfits perfectly captures the emotional depth and complexity of the characters' relationships, enhancing the poignant moments throughout the film. Each musical piece seems carefully selected to evoke the raw and heartfelt emotions portrayed by the actors.

Daniel Lopez
1/10

The choice of songs in the soundtrack felt outdated and out of touch with the modern audience, making it difficult for viewers to fully engage with the film's themes and messages.

Dorothy Lewis
5/10

The soundtrack's blend of haunting melodies and stirring compositions enhances the overall cinematic experience, creating a memorable and impactful viewing atmosphere.

Betty Martin
2/10

The Misfits' soundtrack failed to capture the emotional depth and complexity of the film's storyline. The music felt disconnected from the characters' struggles and failed to enhance the overall viewing experience.

Amanda Miller
5/10

The musical score beautifully underscores the themes of redemption and forgiveness present in the film, enhancing the audience's connection to the characters' emotional arcs.

Susan Miller
7/10

The music enhances the western setting of the movie, creating a nostalgic and authentic atmosphere that transports the audience to the rugged landscapes of Nevada.

Susan Clark
5/10

The emotional resonance of the music amplifies the poignant moments of the story, especially during scenes of conflict and introspection.

William Wright
5/10

The music enhances the Western atmosphere of the movie, creating a sense of ruggedness and melancholy that mirrors the characters' inner struggles.

John Green
6/10

The soundtrack of The Misfits perfectly captures the emotional depth and complexity of the characters' relationships, adding another layer of intensity to the film's narrative.

Mark Parker
8/10

The soundtrack effectively underscores the tension and drama of key scenes, heightening the emotional impact and immersing the viewer in the unfolding story.

Amanda Garcia
6/10

Overall, the soundtrack of The Misfits is a masterful accompaniment to the film, enriching the viewing experience and leaving a lasting impression on the audience.