Successful magazine photographer L.B. Jefferies - Jeff to his friends - is on week seven of eight of a cast on his broken leg sustained while on assignment, the problems being not only not able to work, but being confined to his Greenwich Village apartment over the course, now during a heatwave, with his only visitors being Stella, the acerbic-tongued insurance provided nurse, and socialite Lisa Fremont, a fashion reporter and his girlfriend.
While he is aware that Lisa sees their relationship as the long term, Jeff is thinking about ending things with her in not seeing her following him around the globe in often less than comfortable situations while on assignment.
With his apartment facing onto a courtyard surrounded by other apartment buildings, Jeff largely relieves his boredom by spying on his neighbors who have their windows wide open due to the heatwave, many whose stories, which he can only surmise by what he sees, are of a personal relationship nature: the lonely woman who tries to make her life less lonely, the dancer with many suitors who probably don't care about her beyond her sex appeal, a middle aged couple who owns the neighborhood dog lowered down to the courtyard garden on a pulley system, and a man, seemingly a salesman, caring for his bedridden female companion, probably his wife, they all often serenaded by a songwriter on a piano as he works.
While they are both disgusted by his voyeuristic activities for different reasons, Jeff is able to convince both Stella and Lisa that, based solely on his behavior, that the salesman most likely murdered his wife by mutilation, seemingly for another woman.
While he also tells his fellow war veteran friend, now Police Detective Tom Doyle, off the record, Tom, while indulging him to an extent, is only humoring him in believing his imagination going into overdrive in his boredom.
Left to their own devices, Jeff, Lisa and Stella enter into a game of cat and mouse with the salesman to discover evidence, the salesman who they learn is named Lars Thorwald, that game which may become deadly if what they believe is indeed true and Thorwald feels like he is being cornered.
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La finestra sul cortile
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Main Title
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David Shire:
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Pop-Out!
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Windows 98
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Windows II
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Night Awakening
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Windows III
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Windows IV
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Hot Flashes
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The Cop and the Crate
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The Other Woman
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Claudia Visits Thorpe
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Act In
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You've Got Mail
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Preparation
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Agon
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A Visit from Thorpe: Part 1
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A Visit from Thorpe: Part 2
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The Unveiling
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Rear Window
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THE MAN WHO KNEW TOO MUCH: Concert Overture (Bernard Hermann)
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Arthur Benjamin:
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REBECCA: Suite (Franz Waxman)
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REAR WINDOW (Franz Waxman): I Prelude
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II Lisa – Intermezzo
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III Ballet
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IV Lisa – Finale
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STRANGERS ON A TRAIN: Suite (Dimitri Tiomkin)
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DIAL M FOR MURDER: Suite (Dimitri Tiomkin)
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VERTIGO (Bernard Herrmann): Prelude
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Scène d'Amour
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NORTH BY NORTHWEST: Main Titles (Bernard Hermann)
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PSYCHO: A Narrative for String Orchestra (Bernard Hermann)
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THE MAN WHO KNEW TOO MUCH: The Storm Clouds – Cantata (composed by Arthur Benjamin, arranged by Bernard Herrmann)
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HITCHCHOCK: End Credits (Danny Elfman)
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HIGH NOON: Do Not Forsake Me (Main Title) (lyrics Ned Washington)
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Robert Burns:
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The Depot
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They've Pardoned Frank Miller
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About Frank Miller / Do Not Forsake Me
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Kane Warns Helen
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Harve Confronts Helen
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Nearly Train Time / Do Not Forsake Me
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Two Minutes to Twelve
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Miller Gang Hits Town
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First Shots Fired
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Frank Miller Shot / Finale / Do Not Forsake Me (lyrics Ned Washington)
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MOGAMBO: Main Title
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Comin' Through the Rye (Ava Gardner)
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DIAL M FOR MURDER: Theme
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REAR WINDOW: Juke Box # 6
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TO CATCH A THIEF: Main Title
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THE BRIDGES AT TOKO-RI: Ouverture
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THE SWAN: Main Title / Europe 1900 / Telegram
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Ballroom Waltz
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HIGH SOCIETY: Overture (Cole Porter)
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High Society Calypso (Louis Armstrong & His Orchestra)
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Who Wants to Be a Millionaire (Frank Sinatra, Celeste Holm)
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True Love (Bing Crosby, Grace Kelly)
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Now You Have Jazz (Bing Crosby, Louis Armstrong and His Orchestra)
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Robert Burns:
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The Alfred Hitchcock Theme - Funeral March of the Marionette
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John Addison:
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The Thirty Nine Steps - Suite
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The Lady Vanishes - Prelude
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Rebecca - Suite
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Suspicion - Prelude / Sunday Morning
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Lifeboard - Disaster
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Spellbound - Concerto for Orchestra
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Rope - Main Titles
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Under Capricorn - Suite
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Stage Fright - Rhapsody
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Strangers on a Train - Suite
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Dial M For Murder - Suite
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Rear Window - Lisa
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Disc Time:
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To Catch a Thief - Suite
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The Trouble with Harry- A Portrait of Hitch
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The Man Who Knew Too Much - Prelude
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Vertigo - Prelude / The Nightmare
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Vertigo - Scene d'Amour
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North by Northwest - Prelude
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North by Northwest - Conversation Piece
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Psycho - Suite for String Orchestra
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Marnie - Prelude
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Torn Curtain - Suite from the Unused Score
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Torn Curtain - Main Title
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Topaz - March from Topaz
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Frenzy - The London Theme
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Family Plot - Finale
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Theme from Alfred Hitchcock Presents
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Bernard Herrmann:
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Theme from Dial M For Murder
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Theme from I Confess
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Juke Box #6 (from Rear Window)
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Scene d'Amour (from Vertigo)
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The Wild Ride (from North by Northwest)
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Psycho (A Narrative for Orchestra)
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Prelude from Marnie
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Marnie
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Main Title from Torn Curtain
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Prelude (from Torn Curtain)
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The Ship (from Torn Curtain)
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The Radiogram (from Torn Curtain)
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March (from Topaz)
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The London Theme (from Frenzy)
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Prelude (from The Wrong Man)
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End Credits & End Titles (from Family Plot)
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A Portrait of HItch (from The Trouble With Harry)
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Paramount Vista Vision Fanfare (Medley)
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The Thirty Nine Steps (Suite)
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The Lady Vanishes (Prelude)
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Twentieth Century Fox Fanfare/Lifeboat (Disaster)
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Rope (Main Titles)
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John Addison:
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Stage Fright (Rhapsody)
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John Addison:
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Strangers On A Train (Main Title)
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Rear Window (Lisa)
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John Addison:
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The Trouble With Harry (A Portrait Of Hitch)
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John Addison:
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Vertigo (Prelude)
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John Addison:
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North By Northwest (Conversation Piece)
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Tony Curtin (Main Title)
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Family Plot (Finale)
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