Rear Window Soundtrack (

Rear Window Soundtrack (1954) cover

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Rating: 8.50/10 from 520000 votes
Alternate Names:
Title in Español:

Rear Window

Title in Italiano:

La finestra sul cortile

Title in Português:

A Janela Indiscreta

Title in Français:

Fenêtre sur cour

Title in Türk:

Rear Window

Title in Deutsch:

Das Fenster zum Hof

Synopsis

Successful magazine photographer L.B. Jefferies - Jeff to his friends - is on week seven of eight of a cast on his broken leg sustained while on assignment, the problems being not only not able to work, but being confined to his Greenwich Village apartment over the course, now during a heatwave, with his only visitors being Stella, the acerbic-tongued insurance provided nurse, and socialite Lisa Fremont, a fashion reporter and his girlfriend.

While he is aware that Lisa sees their relationship as the long term, Jeff is thinking about ending things with her in not seeing her following him around the globe in often less than comfortable situations while on assignment. With his apartment facing onto a courtyard surrounded by other apartment buildings, Jeff largely relieves his boredom by spying on his neighbors who have their windows wide open due to the heatwave, many whose stories, which he can only surmise by what he sees, are of a personal relationship nature: the lonely woman who tries to make her life less lonely, the dancer with many suitors who probably don't care about her beyond her sex appeal, a middle aged couple who owns the neighborhood dog lowered down to the courtyard garden on a pulley system, and a man, seemingly a salesman, caring for his bedridden female companion, probably his wife, they all often serenaded by a songwriter on a piano as he works.

While they are both disgusted by his voyeuristic activities for different reasons, Jeff is able to convince both Stella and Lisa that, based solely on his behavior, that the salesman most likely murdered his wife by mutilation, seemingly for another woman. While he also tells his fellow war veteran friend, now Police Detective Tom Doyle, off the record, Tom, while indulging him to an extent, is only humoring him in believing his imagination going into overdrive in his boredom. Left to their own devices, Jeff, Lisa and Stella enter into a game of cat and mouse with the salesman to discover evidence, the salesman who they learn is named Lars Thorwald, that game which may become deadly if what they believe is indeed true and Thorwald feels like he is being cornered.

Download and play the Soundtrack list

Play Title Artist
Rear Window
Main Title
David Shire: Performer
Pop-Out!
David Shire: Performer
Windows 98
David Shire: Performer
Windows II
David Shire: Performer
Night Awakening
David Shire: Performer
Windows III
David Shire: Performer
Windows IV
David Shire: Performer
Hot Flashes
David Shire: Performer
The Cop and the Crate
David Shire: Performer
The Other Woman
David Shire: Performer
Claudia Visits Thorpe
David Shire: Performer
Act In
David Shire: Performer
You've Got Mail
David Shire: Performer
Preparation
David Shire: Performer
Agon
David Shire: Performer
A Visit from Thorpe: Part 1
David Shire: Performer
A Visit from Thorpe: Part 2
David Shire: Performer
The Unveiling
David Shire: Performer
Rear Window
David Shire: Performer
THE MAN WHO KNEW TOO MUCH: Concert Overture (Bernard Hermann)
Arthur Benjamin: Performer
REBECCA: Suite (Franz Waxman)
Arthur Benjamin: Performer
REAR WINDOW (Franz Waxman): I Prelude
Arthur Benjamin: Performer
II Lisa – Intermezzo
Arthur Benjamin: Performer
III Ballet
Arthur Benjamin: Performer
IV Lisa – Finale
Arthur Benjamin: Performer
STRANGERS ON A TRAIN: Suite (Dimitri Tiomkin)
Arthur Benjamin: Performer
DIAL M FOR MURDER: Suite (Dimitri Tiomkin)
Arthur Benjamin: Performer
VERTIGO (Bernard Herrmann): Prelude
Arthur Benjamin: Performer
Scène d'Amour
Arthur Benjamin: Performer
NORTH BY NORTHWEST: Main Titles (Bernard Hermann)
Arthur Benjamin: Performer
PSYCHO: A Narrative for String Orchestra (Bernard Hermann)
Arthur Benjamin: Performer
THE MAN WHO KNEW TOO MUCH: The Storm Clouds – Cantata (composed by Arthur Benjamin, arranged by Bernard Herrmann)
Arthur Benjamin: Performer
HITCHCHOCK: End Credits (Danny Elfman)
Arthur Benjamin: Performer
HIGH NOON: Do Not Forsake Me (Main Title) (lyrics Ned Washington)
Robert Burns: Performer
The Depot
Robert Burns: Performer
They've Pardoned Frank Miller
Robert Burns: Performer
About Frank Miller / Do Not Forsake Me
Robert Burns: Performer
Kane Warns Helen
Robert Burns: Performer
Harve Confronts Helen
Robert Burns: Performer
Nearly Train Time / Do Not Forsake Me
Robert Burns: Performer
Two Minutes to Twelve
Robert Burns: Performer
Miller Gang Hits Town
Robert Burns: Performer
First Shots Fired
Robert Burns: Performer
Frank Miller Shot / Finale / Do Not Forsake Me (lyrics Ned Washington)
Robert Burns: Performer
MOGAMBO: Main Title
Robert Burns: Performer
Comin' Through the Rye (Ava Gardner)
Robert Burns: Performer
DIAL M FOR MURDER: Theme
Robert Burns: Performer
REAR WINDOW: Juke Box # 6
Robert Burns: Performer
TO CATCH A THIEF: Main Title
Robert Burns: Performer
THE BRIDGES AT TOKO-RI: Ouverture
Robert Burns: Performer
THE SWAN: Main Title / Europe 1900 / Telegram
Robert Burns: Performer
Ballroom Waltz
Robert Burns: Performer
HIGH SOCIETY: Overture (Cole Porter)
Robert Burns: Performer
High Society Calypso (Louis Armstrong & His Orchestra)
Robert Burns: Performer
Who Wants to Be a Millionaire (Frank Sinatra, Celeste Holm)
Robert Burns: Performer
True Love (Bing Crosby, Grace Kelly)
Robert Burns: Performer
Now You Have Jazz (Bing Crosby, Louis Armstrong and His Orchestra)
Robert Burns: Performer
The Alfred Hitchcock Theme - Funeral March of the Marionette
John Addison: Performer
The Thirty Nine Steps - Suite
John Addison: Performer
The Lady Vanishes - Prelude
John Addison: Performer
Rebecca - Suite
John Addison: Performer
Suspicion - Prelude / Sunday Morning
John Addison: Performer
Lifeboard - Disaster
John Addison: Performer
Spellbound - Concerto for Orchestra
John Addison: Performer
Rope - Main Titles
John Addison: Performer
Under Capricorn - Suite
John Addison: Performer
Stage Fright - Rhapsody
John Addison: Performer
Strangers on a Train - Suite
John Addison: Performer
Dial M For Murder - Suite
John Addison: Performer
Rear Window - Lisa
John Addison: Performer
Disc Time:
John Addison: Performer
To Catch a Thief - Suite
John Addison: Performer
The Trouble with Harry- A Portrait of Hitch
John Addison: Performer
The Man Who Knew Too Much - Prelude
John Addison: Performer
Vertigo - Prelude / The Nightmare
John Addison: Performer
Vertigo - Scene d'Amour
John Addison: Performer
North by Northwest - Prelude
John Addison: Performer
North by Northwest - Conversation Piece
John Addison: Performer
Psycho - Suite for String Orchestra
John Addison: Performer
Marnie - Prelude
John Addison: Performer
Torn Curtain - Suite from the Unused Score
John Addison: Performer
Torn Curtain - Main Title
John Addison: Performer
Topaz - March from Topaz
John Addison: Performer
Frenzy - The London Theme
John Addison: Performer
Family Plot - Finale
John Addison: Performer
Theme from Alfred Hitchcock Presents
Bernard Herrmann: Performer
Theme from Dial M For Murder
Bernard Herrmann: Performer
Theme from I Confess
Bernard Herrmann: Performer
Juke Box #6 (from Rear Window)
Bernard Herrmann: Performer
Scene d'Amour (from Vertigo)
Bernard Herrmann: Performer
The Wild Ride (from North by Northwest)
Bernard Herrmann: Performer
Psycho (A Narrative for Orchestra)
Bernard Herrmann: Performer
Prelude from Marnie
Bernard Herrmann: Performer
Marnie
Bernard Herrmann: Performer
Main Title from Torn Curtain
Bernard Herrmann: Performer
Prelude (from Torn Curtain)
Bernard Herrmann: Performer
The Ship (from Torn Curtain)
Bernard Herrmann: Performer
The Radiogram (from Torn Curtain)
Bernard Herrmann: Performer
March (from Topaz)
Bernard Herrmann: Performer
The London Theme (from Frenzy)
Bernard Herrmann: Performer
Prelude (from The Wrong Man)
Bernard Herrmann: Performer
End Credits & End Titles (from Family Plot)
Bernard Herrmann: Performer
A Portrait of HItch (from The Trouble With Harry)
Bernard Herrmann: Performer
Paramount Vista Vision Fanfare (Medley)
John Addison: Performer
The Thirty Nine Steps (Suite)
John Addison: Performer
The Lady Vanishes (Prelude)
John Addison: Performer
Twentieth Century Fox Fanfare/Lifeboat (Disaster)
John Addison: Performer
Rope (Main Titles)
John Addison: Performer
Stage Fright (Rhapsody)
John Addison: Performer
Strangers On A Train (Main Title)
John Addison: Performer
Rear Window (Lisa)
John Addison: Performer
The Trouble With Harry (A Portrait Of Hitch)
John Addison: Performer
Vertigo (Prelude)
John Addison: Performer
North By Northwest (Conversation Piece)
John Addison: Performer
Tony Curtin (Main Title)
John Addison: Performer
Family Plot (Finale)
John Addison: Performer

User reviews

Brian Allen
5/10

The soundtrack of Rear Window expertly captures the tension and suspense of the film, enhancing the viewer's experience by creating a sense of unease and mystery. The use of subtle, eerie melodies and ominous tones perfectly complements the voyeuristic nature of the story, adding depth to the characters and their actions.

Jennifer Garcia
5/10

On the other hand, some may find the soundtrack of Rear Window to be a bit repetitive and monotonous, lacking variation in its themes and motifs. While it effectively sets the mood for the film, the continuous use of similar musical elements throughout the movie may become tiresome for those looking for more diversity in the composition.

Andrew Baker
8/10

The soundtrack of Rear Window perfectly captures the suspenseful and mysterious atmosphere of the film. Each musical cue enhances the tension and keeps the audience on the edge of their seats.

Michelle Martin
7/10

The haunting melodies and eerie sounds in the soundtrack of Rear Window effectively contribute to the overall immersive experience of the film, making it a truly memorable and impactful viewing experience.

Daniel Taylor
4/10

I found the Rear Window soundtrack to be lacking in emotional depth and complexity. The music did not effectively capture the tension and suspense of the film's plot, leaving me feeling disconnected from the on-screen events.

Jennifer Lopez
3/10

The repetitive nature of the soundtrack became monotonous and failed to enhance the overall viewing experience. I was hoping for a more dynamic and engaging musical score that would elevate the storytelling, but unfortunately, I was left underwhelmed by the soundtrack of Rear Window.

David King
8/10

I appreciate how the music in Rear Window mirrors the escalating sense of danger and intrigue as the protagonist, Jeff, delves deeper into the mystery unfolding before him.