Successful magazine photographer L.B. Jefferies - Jeff to his friends - is on week seven of eight of a cast on his broken leg sustained while on assignment, the problems being not only not able to work, but being confined to his Greenwich Village apartment over the course, now during a heatwave, with his only visitors being Stella, the acerbic-tongued insurance provided nurse, and socialite Lisa Fremont, a fashion reporter and his girlfriend.
While he is aware that Lisa sees their relationship as the long term, Jeff is thinking about ending things with her in not seeing her following him around the globe in often less than comfortable situations while on assignment.
With his apartment facing onto a courtyard surrounded by other apartment buildings, Jeff largely relieves his boredom by spying on his neighbors who have their windows wide open due to the heatwave, many whose stories, which he can only surmise by what he sees, are of a personal relationship nature: the lonely woman who tries to make her life less lonely, the dancer with many suitors who probably don't care about her beyond her sex appeal, a middle aged couple who owns the neighborhood dog lowered down to the courtyard garden on a pulley system, and a man, seemingly a salesman, caring for his bedridden female companion, probably his wife, they all often serenaded by a songwriter on a piano as he works.
While they are both disgusted by his voyeuristic activities for different reasons, Jeff is able to convince both Stella and Lisa that, based solely on his behavior, that the salesman most likely murdered his wife by mutilation, seemingly for another woman.
While he also tells his fellow war veteran friend, now Police Detective Tom Doyle, off the record, Tom, while indulging him to an extent, is only humoring him in believing his imagination going into overdrive in his boredom.
Left to their own devices, Jeff, Lisa and Stella enter into a game of cat and mouse with the salesman to discover evidence, the salesman who they learn is named Lars Thorwald, that game which may become deadly if what they believe is indeed true and Thorwald feels like he is being cornered.
Oyna | Başlık | Artist |
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Rear Window
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Main Title
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David Shire:
Icracı
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Pop-Out!
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David Shire:
Icracı
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Windows 98
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David Shire:
Icracı
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Windows II
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David Shire:
Icracı
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Night Awakening
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David Shire:
Icracı
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Windows III
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David Shire:
Icracı
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Windows IV
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David Shire:
Icracı
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Hot Flashes
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David Shire:
Icracı
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The Cop and the Crate
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David Shire:
Icracı
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The Other Woman
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David Shire:
Icracı
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Claudia Visits Thorpe
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David Shire:
Icracı
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Act In
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David Shire:
Icracı
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You've Got Mail
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David Shire:
Icracı
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Preparation
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David Shire:
Icracı
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Agon
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David Shire:
Icracı
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A Visit from Thorpe: Part 1
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David Shire:
Icracı
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A Visit from Thorpe: Part 2
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David Shire:
Icracı
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The Unveiling
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David Shire:
Icracı
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Rear Window
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David Shire:
Icracı
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THE MAN WHO KNEW TOO MUCH: Concert Overture (Bernard Hermann)
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Arthur Benjamin:
Icracı
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REBECCA: Suite (Franz Waxman)
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Arthur Benjamin:
Icracı
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REAR WINDOW (Franz Waxman): I Prelude
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Arthur Benjamin:
Icracı
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II Lisa – Intermezzo
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Arthur Benjamin:
Icracı
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III Ballet
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Arthur Benjamin:
Icracı
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IV Lisa – Finale
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Arthur Benjamin:
Icracı
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STRANGERS ON A TRAIN: Suite (Dimitri Tiomkin)
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Arthur Benjamin:
Icracı
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DIAL M FOR MURDER: Suite (Dimitri Tiomkin)
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Arthur Benjamin:
Icracı
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VERTIGO (Bernard Herrmann): Prelude
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Arthur Benjamin:
Icracı
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Scène d'Amour
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Arthur Benjamin:
Icracı
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NORTH BY NORTHWEST: Main Titles (Bernard Hermann)
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Arthur Benjamin:
Icracı
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PSYCHO: A Narrative for String Orchestra (Bernard Hermann)
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Arthur Benjamin:
Icracı
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THE MAN WHO KNEW TOO MUCH: The Storm Clouds – Cantata (composed by Arthur Benjamin, arranged by Bernard Herrmann)
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Arthur Benjamin:
Icracı
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HITCHCHOCK: End Credits (Danny Elfman)
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Arthur Benjamin:
Icracı
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HIGH NOON: Do Not Forsake Me (Main Title) (lyrics Ned Washington)
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Robert Burns:
Icracı
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The Depot
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Robert Burns:
Icracı
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They've Pardoned Frank Miller
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Robert Burns:
Icracı
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About Frank Miller / Do Not Forsake Me
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Robert Burns:
Icracı
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Kane Warns Helen
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Robert Burns:
Icracı
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Harve Confronts Helen
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Robert Burns:
Icracı
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Nearly Train Time / Do Not Forsake Me
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Robert Burns:
Icracı
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Two Minutes to Twelve
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Robert Burns:
Icracı
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Miller Gang Hits Town
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Robert Burns:
Icracı
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First Shots Fired
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Robert Burns:
Icracı
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Frank Miller Shot / Finale / Do Not Forsake Me (lyrics Ned Washington)
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Robert Burns:
Icracı
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MOGAMBO: Main Title
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Robert Burns:
Icracı
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Comin' Through the Rye (Ava Gardner)
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Robert Burns:
Icracı
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DIAL M FOR MURDER: Theme
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Robert Burns:
Icracı
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REAR WINDOW: Juke Box # 6
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Robert Burns:
Icracı
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TO CATCH A THIEF: Main Title
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Robert Burns:
Icracı
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THE BRIDGES AT TOKO-RI: Ouverture
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Robert Burns:
Icracı
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THE SWAN: Main Title / Europe 1900 / Telegram
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Robert Burns:
Icracı
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Ballroom Waltz
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Robert Burns:
Icracı
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HIGH SOCIETY: Overture (Cole Porter)
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Robert Burns:
Icracı
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High Society Calypso (Louis Armstrong & His Orchestra)
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Robert Burns:
Icracı
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Who Wants to Be a Millionaire (Frank Sinatra, Celeste Holm)
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Robert Burns:
Icracı
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True Love (Bing Crosby, Grace Kelly)
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Robert Burns:
Icracı
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Now You Have Jazz (Bing Crosby, Louis Armstrong and His Orchestra)
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Robert Burns:
Icracı
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The Alfred Hitchcock Theme - Funeral March of the Marionette
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John Addison:
Icracı
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The Thirty Nine Steps - Suite
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John Addison:
Icracı
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The Lady Vanishes - Prelude
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John Addison:
Icracı
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Rebecca - Suite
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John Addison:
Icracı
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Suspicion - Prelude / Sunday Morning
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John Addison:
Icracı
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Lifeboard - Disaster
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John Addison:
Icracı
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Spellbound - Concerto for Orchestra
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John Addison:
Icracı
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Rope - Main Titles
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John Addison:
Icracı
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Under Capricorn - Suite
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John Addison:
Icracı
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Stage Fright - Rhapsody
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John Addison:
Icracı
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Strangers on a Train - Suite
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John Addison:
Icracı
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Dial M For Murder - Suite
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John Addison:
Icracı
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Rear Window - Lisa
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John Addison:
Icracı
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Disc Time:
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John Addison:
Icracı
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To Catch a Thief - Suite
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John Addison:
Icracı
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The Trouble with Harry- A Portrait of Hitch
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John Addison:
Icracı
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The Man Who Knew Too Much - Prelude
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John Addison:
Icracı
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Vertigo - Prelude / The Nightmare
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John Addison:
Icracı
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Vertigo - Scene d'Amour
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John Addison:
Icracı
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North by Northwest - Prelude
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John Addison:
Icracı
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North by Northwest - Conversation Piece
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John Addison:
Icracı
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Psycho - Suite for String Orchestra
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John Addison:
Icracı
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Marnie - Prelude
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John Addison:
Icracı
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Torn Curtain - Suite from the Unused Score
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John Addison:
Icracı
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Torn Curtain - Main Title
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John Addison:
Icracı
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Topaz - March from Topaz
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John Addison:
Icracı
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Frenzy - The London Theme
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John Addison:
Icracı
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Family Plot - Finale
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John Addison:
Icracı
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Theme from Alfred Hitchcock Presents
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Bernard Herrmann:
Icracı
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Theme from Dial M For Murder
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Bernard Herrmann:
Icracı
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Theme from I Confess
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Bernard Herrmann:
Icracı
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Juke Box #6 (from Rear Window)
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Bernard Herrmann:
Icracı
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Scene d'Amour (from Vertigo)
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Bernard Herrmann:
Icracı
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The Wild Ride (from North by Northwest)
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Bernard Herrmann:
Icracı
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Psycho (A Narrative for Orchestra)
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Bernard Herrmann:
Icracı
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Prelude from Marnie
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Bernard Herrmann:
Icracı
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Marnie
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Bernard Herrmann:
Icracı
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Main Title from Torn Curtain
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Bernard Herrmann:
Icracı
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Prelude (from Torn Curtain)
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Bernard Herrmann:
Icracı
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The Ship (from Torn Curtain)
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Bernard Herrmann:
Icracı
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The Radiogram (from Torn Curtain)
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Bernard Herrmann:
Icracı
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March (from Topaz)
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Bernard Herrmann:
Icracı
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The London Theme (from Frenzy)
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Bernard Herrmann:
Icracı
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Prelude (from The Wrong Man)
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Bernard Herrmann:
Icracı
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End Credits & End Titles (from Family Plot)
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Bernard Herrmann:
Icracı
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A Portrait of HItch (from The Trouble With Harry)
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Bernard Herrmann:
Icracı
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Paramount Vista Vision Fanfare (Medley)
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John Addison:
Icracı
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The Thirty Nine Steps (Suite)
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John Addison:
Icracı
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The Lady Vanishes (Prelude)
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John Addison:
Icracı
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Twentieth Century Fox Fanfare/Lifeboat (Disaster)
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John Addison:
Icracı
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Rope (Main Titles)
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John Addison:
Icracı
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Stage Fright (Rhapsody)
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John Addison:
Icracı
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Strangers On A Train (Main Title)
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John Addison:
Icracı
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Rear Window (Lisa)
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John Addison:
Icracı
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The Trouble With Harry (A Portrait Of Hitch)
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John Addison:
Icracı
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Vertigo (Prelude)
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John Addison:
Icracı
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North By Northwest (Conversation Piece)
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John Addison:
Icracı
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Tony Curtin (Main Title)
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John Addison:
Icracı
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Family Plot (Finale)
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John Addison:
Icracı
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