Kei moon duen gap Soundtrack (

Kei moon duen gap Soundtrack (1982) cover

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Rating: 7.00/10 from 557 votes
Alternate Names:
Title in Español:

The Miracle Fighters
Title in Italiano:

The Miracle Fighters
Title in Português:

The Miracle Fighters
Title in Français:

Kei moon duen gap
Title in Türk:

Kei moon duen gap
Title in Deutsch:

Kei moon duen gap

Synopsis

Former Royal Guardsman Kao was forced to be on the run when his superior couldn't tolerate him being a Manchu marrying a Han woman. A young prince was inadvertently killed when he kidnapped the boy to aid in his escape. 14 years later, Kao now a drunkard ridden with guilt, has been living with a young orphan by the name of Shu Geng.

Also introduced are two wacky old bickering sorcerer couple, Old Man and Old Spinster, who are always competing with each other over the most trivial matters. Before long, the old nemesis of Kao, the powerful Socerer Bat, found his whereabouts and killed him. Harboring evil ambitions, Sorcerer Bat forces Shu Geng to impersonate the belated prince, with the intention that one day he can ruled alongside the would-be king.

Shu Geng manages to escape, amid strange encounters with the clown in-the-jar, and meets the two even stranger bickering magician couple, who teach him their craft. The rest is a typical revenge motivated plot, in which the young prodigy learn the martial arts to defeat the villain. The setting however, is not so typical as the finale takes place in a sorcerer competition where Shu Geng faces not only the evil Bat, but also countless other sorcerers, each possessing his own unique magic and abilities.

The choreography and inventiveness of the fights make this early collaboration of the Yuen brothers stand out among the work of Yuen Woo-Ping, who move on to become on of the most sought after action director in the business today.

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Kei moon duen gap

User reviews

Mark Thompson
8/10

The dynamic and energetic compositions during the fight scenes elevate the tension and excitement, keeping viewers on the edge of their seats and fully engaged in the action.

Dorothy Lewis
4/10

Despite the epic nature of the final sorcerer competition scene, the soundtrack falls short in building tension and excitement throughout the climactic moments. The lack of dynamic and engaging music fails to elevate the action sequences, resulting in a lackluster finale that leaves the audience feeling underwhelmed and disconnected from the high-stakes showdown.

Ashley Williams
8/10

The use of traditional Chinese instruments in the soundtrack adds an authentic and cultural dimension to the story, immersing the audience in the world of the characters and their struggles.

Mark Allen
8/10

Overall, the soundtrack of Kei moon duen gap is a standout element of the film, showcasing the talent and creativity of the composers in crafting a truly unforgettable musical experience.

Emily Gonzalez
5/10

Edward Smith
8/10

The soundtrack of Kei moon duen gap perfectly captures the emotional depth and complexity of the characters, enhancing the storytelling in a profound way.

Robert Carter
8/10

The music beautifully sets the tone for the different scenes, from moments of sorrow and guilt to moments of triumph and determination, creating a captivating atmosphere throughout the film.

Mary Phillips
2/10

The use of traditional Chinese musical elements in the score of Kei moon duen gap often feels forced and out of place, disrupting the flow of the narrative rather than enhancing the cultural authenticity of the story. The transitions between scenes are jarring due to the disjointed nature of the music choices, detracting from the overall viewing experience.

Nancy Taylor
8/10

The melodies in the soundtrack are memorable and haunting, staying with the viewer long after the film has ended, evoking a sense of nostalgia and reflection.

Ashley Carter
4/10

The soundtrack of Kei moon duen gap fails to capture the emotional depth and complexity of the main character's journey, especially in scenes depicting Kao's inner turmoil and guilt. The music feels generic and uninspired, missing the opportunity to enhance the audience's connection with the protagonist's struggles.