• Pulp (1972) Soundtrack OST •

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Rating: 5.90/10 from 2900 votes

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Synopsis

Chester Thomas King is a successful writer of pulp fiction. He has written and lived under many different pseudonyms, the most current being "Mickey King". A native Brit, he is currently living in Italy. Much like one of his trashy novels, Mickey narrates the story of a recent adventure in which he was involved that by its end would send five people to the morgue.

At his publisher's office, he is approached by a man named Ben Dinuccio, the agent of someone famous, who would at this time like to remain anonymous, to ghostwrite that famous person's memoirs. Mickey agrees if only because of the exorbitant fee offered. Before Mickey can meet the person in question, he is sent by Dinuccio on a multi-day tour throughout Italy to hide the person's identity and locale for safety reasons. Mickey will be contacted along the way by a yet unknown person, who will lead Mickey to his ultimate destination.

An incident en route leads to Mickey questioning taking the job. That feeling is strengthened when he meets the subject person: ex-Hollywood movie star Preston Gilbert, whose private life was rumored to have been associated with gangsters. Preston has a wicked temper and unusual sense of humor. Another incident during Preston's dictation and Mickey's writing process leads to Mickey believing that his life is in danger, because of what he eventually learns is something that may be written in Preston's memoirs. Mickey has to do some digging if he is going to figure out what that story is, and who if anyone is trying to kill him.

Download and play the Soundtrack list

Play	Title	Artist
	Pulp
	Sodomizer Theme (Shane Eli)	Shane Eli: Performer
	Kids Cafe (Shane Eli)	Shane Eli: Performer
	Action Stations (Shane Eli)	Shane Eli: Performer
	Uber Geek (Shane Eli)	Shane Eli: Performer
	We Mean Business (Shane Eli)	Shane Eli: Performer
	Pink and Purple (Alan Wilkis)	Shane Eli: Performer
	Go Away (Fire Murphy)	Shane Eli: Performer
	Jack and Ebony (Fire Murphy)	Shane Eli: Performer
	Registration (Shane Eli)	Shane Eli: Performer
	Convention Entrance (Shane Eli)	Shane Eli: Performer
	Hospital (Shane Eli)	Shane Eli: Performer
	Harlem (Shane Eli)	Shane Eli: Performer
	Keith at the Booth (Shane Eli)	Shane Eli: Performer
	Go Downstairs (Shane Eli)	Shane Eli: Performer
	Rick's Call (Shane Eli)	Shane Eli: Performer
	Pulp Is Born (Shane Eli)	Shane Eli: Performer
	What She Likes (Fire Murphy)	Shane Eli: Performer
	Seagulls (Gareth Powell)	Shane Eli: Performer
	Return to Broomhouse Road (Dash)	Shane Eli: Performer
	Cream Her Junk (Shane Eli)	Shane Eli: Performer
	Vigilant Theme (Shane Eli)	Shane Eli: Performer
	Hero (Shane Eli)	Shane Eli: Performer

User reviews

Richard Carter

6/10

The use of different instruments and melodies reflects the diverse personalities and hidden secrets of the characters in the story.

Robert Mitchell

3/10

The soundtrack of Pulp misses the mark in creating a sense of mystery and tension, essential elements in a story involving gangsters, Hollywood stars, and potential life-threatening situations. The music feels generic and uninspired, failing to elevate the overall experience of the film.

Charles Baker

10/10

The music in Pulp skillfully mirrors the evolution of Mickey's character throughout the narrative, from moments of uncertainty and danger to revelations and unexpected twists. The soundtrack not only complements the action on screen but also adds depth and emotion to Mickey's journey, making it a truly immersive and unforgettable experience for the listeners.

Susan Rodriguez

5/10

The music complements the visual elements of the film, creating a cohesive and captivating audio-visual experience for the audience.

Paul White

5/10

The soundtrack's seamless integration with the narrative enhances the emotional impact of key moments in the film.

Susan Lewis

6/10

The soundtrack of Pulp effectively sets the tone for the film, drawing viewers into the world of pulp fiction and mystery.

Laura Gonzalez

2/10

The soundtrack of Pulp fails to capture the suspense and thrill of Mickey King's journey through Italy. It lacks the intensity needed to convey the danger and intrigue surrounding the ghostwriting job for Preston Gilbert's memoirs.

Carol King

6/10

The soundtrack's ability to create a sense of unease and suspense keeps the audience engaged throughout the film.

Thomas Smith

7/10

The band sonora of Pulp effectively conveys the complex and intriguing character of Preston Gilbert, the ex-Hollywood movie star with a dark past. The music mirrors his wicked temper and unusual sense of humor, adding depth to his persona and making him a compelling figure in the narrative.

Edward Green

5/10

The haunting melodies and ominous tones in the soundtrack foreshadow the dark and dangerous twists in Mickey King's journey.

Melissa Hill

7/10

The soundtrack of Pulp perfectly captures the mysterious and suspenseful atmosphere of Mickey King's adventure throughout Italy. The use of intense and dramatic music enhances the tension and keeps the audience engaged in the unfolding story.

Kimberly White

8/10

The music in Pulp skillfully builds up the sense of danger and suspense as Mickey King delves deeper into the mystery surrounding Preston Gilbert's memoirs. The soundtrack creates a sense of urgency and intrigue that keeps the audience on the edge of their seats, eager to uncover the secrets hidden within the story.

Linda Roberts

6/10

The soundtrack of Pulp perfectly captures the mysterious and intriguing atmosphere of Mickey King's adventure in Italy.

Carol Miller

10/10

The soundtrack of Pulp perfectly captures the gritty and mysterious atmosphere of Mickey King's thrilling adventure. The use of jazzy and suspenseful compositions enhances the tension and intrigue of the story, keeping the audience engaged and on the edge of their seats.

Joseph Lewis

6/10

The music adds depth to the storytelling, creating a rich and immersive experience for the viewers.

Kenneth Anderson

5/10

The dynamic range of the music mirrors the ups and downs of Mickey's mission, adding layers of complexity to the storytelling.

Ronald Johnson

3/10

The music in Pulp feels disjointed and out of place, failing to enhance the storyline or create a cohesive atmosphere. It lacks a sense of cohesion and thematic consistency, making it difficult to immerse oneself fully in Mickey's world.