The Crucible Soundtrack (

The Crucible Soundtrack (1957) cover

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Rating: 7.20/10 from 779 votes
Alternate Names:
Title in Español:

The Crucible

Title in Italiano:

Le vergini di Salem

Title in Português:

As Feiticeiras de Salem

Title in Français:

Les sorcières de Salem

Title in Türk:

The Crucible

Title in Deutsch:

The Crucible

Synopsis

In the beginning of the XVII Century, certain protestant sects left England heading to North America.

In 1692, Salem, Massachusetts, was one of the most powerful and austere colonies.

After seven months of sexual abstinence by his wife Elisabeth, the hard-working farmer, John Proctor, has sex twice with seventeen year-old virgin servant Abigail Williams who is infatuated with him.

When the other servant Mary Warren sees John sneaking into Abigail's room during the night, she tells Elisabeth who in turn sends Abigail back to her uncle's home.

When a group of women are accused of witchcraft, the manipulative and wicked Abigail manipulates Mary and other hysteric girls to take their revenge against Elisabeth, suggesting she is a witch.

The local Reverend Paris, the Governor Danforth and other politicians support the accusation expecting to increase their power against the repressed inhabitants.

John and other dwellers are imprisoned and only a confession can save them from the gallows.

Download and play the Soundtrack list

Play Title Artist
The Crucible
Cue 1A
Philip Glass: Performer
Cue 1B
Philip Glass: Performer
Cue 2
Philip Glass: Performer
Cue 3
Philip Glass: Performer
Cue 4
Philip Glass: Performer
Cue 5
Philip Glass: Performer
Cue 6
Philip Glass: Performer
Cue 7A
Philip Glass: Performer
Cue 7B
Philip Glass: Performer
Cue 8
Philip Glass: Performer
Cue 9
Philip Glass: Performer
Cue 10
Philip Glass: Performer
Cue 12
Philip Glass: Performer
Cue 11A
Philip Glass: Performer
Cue 12B
Philip Glass: Performer
Cue 14B
Philip Glass: Performer
Cue 1C
Philip Glass: Performer
Cue 5B
Philip Glass: Performer
Cue 9B
Philip Glass: Performer
Cue 5C
Philip Glass: Performer
The Crucible Front Titles : Dancing In The Forest
George Fenton: Performer
John Proctor
George Fenton: Performer
The Village
George Fenton: Performer
Reverend Hale
George Fenton: Performer
Meeting At The Inn
George Fenton: Performer
Titubas Confession
George Fenton: Performer
Judge Danforth Arrives
George Fenton: Performer
Vengeance
George Fenton: Performer
Elizabeth Accused
George Fenton: Performer
Hale Leaves The Village
George Fenton: Performer
Taking Elizabeth
George Fenton: Performer
Interrogation
George Fenton: Performer
The Hanging
George Fenton: Performer
Abigail Disappears
George Fenton: Performer
The Beach
George Fenton: Performer
Proctor Confesses
George Fenton: Performer
Forgive Us (The Crucible End Credits)
George Fenton: Performer
Main Titles
James Newton Howard: Performer
Escaping The Smokers
James Newton Howard: Performer
The Atoll
James Newton Howard: Performer
Prodigal Child
James Newton Howard: Performer
Smokers Sighted
James Newton Howard: Performer
Swimming
James Newton Howard: Performer
The Skyboat
James Newton Howard: Performer
National Geographics
James Newton Howard: Performer
Speargun
James Newton Howard: Performer
The Bubble
James Newton Howard: Performer
Helen Frees The Mariner
James Newton Howard: Performer
Helen Sews
James Newton Howard: Performer
Slide For Life
James Newton Howard: Performer
Half An Hour
James Newton Howard: Performer
We're Gonna Die
James Newton Howard: Performer
Arriving At The Deez
James Newton Howard: Performer
Deacon's Speech
James Newton Howard: Performer
Haircuts
James Newton Howard: Performer
Gills
James Newton Howard: Performer
Why Aren't You Rowing?
James Newton Howard: Performer
Balloon Flight
James Newton Howard: Performer
Dry Land
James Newton Howard: Performer
Mariner's Goodbye
James Newton Howard: Performer
Main Credits
James Newton Howard: Performer
Main Title (Theme From Basic Instinct)
Jerry Goldsmith: Performer
Crossed Legs
Jerry Goldsmith: Performer
Night Life
Jerry Goldsmith: Performer
Kitchen Help
Jerry Goldsmith: Performer
Pillow Talk
Jerry Goldsmith: Performer
Morning After
Jerry Goldsmith: Performer
The Games Are Over
Jerry Goldsmith: Performer
Catherine's Sorrow
Jerry Goldsmith: Performer
Roxy Loses
Jerry Goldsmith: Performer
An Unending Story
Jerry Goldsmith: Performer

User reviews

Timothy Jackson
5/10

The music perfectly captures the tension and paranoia that permeates the atmosphere of Salem as accusations of witchcraft tear the community apart.

Ronald Moore
6/10

The soundtrack effectively mirrors the moral complexities and inner conflicts of the characters, adding layers of depth to their motivations and actions.

Karen White
2/10

I found the soundtrack of The Crucible to be lacking in emotional depth and failed to capture the intensity and drama of the storyline. The music felt generic and uninspired, making it difficult for me to connect with the characters and their struggles.

Joshua Young
9/10

The composer's skillful blending of suspenseful melodies and powerful crescendos heightens the tension of the plot, making the audience feel the fear and paranoia that permeated the community during the witch trials.

Mark Walker
6/10

The use of eerie and dissonant melodies creates a sense of unease and foreboding, reflecting the chaotic and destructive nature of the witch trials.

Donna Adams
8/10

Overall, the soundtrack of The Crucible is a powerful and evocative musical accompaniment that enhances the storytelling and leaves a lasting impact on the audience.

Kenneth Lewis
7/10

The use of choral arrangements in certain scenes adds a sense of collective hysteria and fear, reflecting the mass hysteria surrounding the witch trials.

Thomas Thompson
5/10

The emotional depth of the soundtrack enhances the audience's connection to the characters, especially John Proctor and Abigail Williams, whose forbidden relationship drives much of the plot.

Jennifer Thompson
8/10

The soundtrack effectively conveys the moral dilemmas faced by the characters, adding depth and nuance to their internal conflicts.

Donald Carter
7/10

The compositions are intricate and layered, showcasing the talent and skill of the composer in conveying the complexities of the plot.

Amanda Jones
8/10

The use of traditional instruments in the soundtrack adds an authentic touch to the colonial setting of Salem, Massachusetts.

Richard Harris
5/10

The use of traditional instruments such as violins and flutes adds an authentic and historical feel to the music, transporting the listener to the Puritan era of the XVII Century.

Lisa Martinez
9/10

The soundtrack of The Crucible truly captures the intensity and drama of the storyline, creating a haunting atmosphere that immerses the listener in the world of Salem, Massachusetts in 1692.

Melissa Parker
6/10

The soundtrack's somber and melancholic tones convey the tragic consequences of mass hysteria and blind faith, highlighting the destructive power of fear and manipulation.

George Hernandez
5/10

The music builds suspense and tension, intensifying the audience's emotional investment in the unfolding drama and the fates of the accused.

Richard Robinson
8/10

The soundtrack of The Crucible is hauntingly beautiful, capturing the tension and drama of the story perfectly.

Edward Evans
7/10

The music seamlessly transitions between scenes, creating a cohesive and engaging listening experience that complements the narrative.

Mark King
3/10

Additionally, I felt that the soundtrack did not effectively create a sense of tension and suspense during crucial scenes of the film. The music failed to enhance the atmosphere and failed to amplify the emotional impact of the characters' dilemmas, leaving me feeling underwhelmed and disconnected from the narrative.

Paul Jackson
8/10

The music intensifies the emotional turmoil of the characters, making the audience feel deeply connected to their struggles.

Carol Wilson
5/10

The soundtrack's use of silence and minimalist compositions at key moments enhances the impact of pivotal scenes, allowing the audience to fully absorb the gravity of the events.

Andrew Campbell
10/10

The use of traditional instruments and vocal arrangements in the music adds an authentic touch to the historical setting of the film, enhancing the emotional impact of the characters' struggles and conflicts.

Sarah Taylor
8/10

The soundtrack effectively builds suspense and enhances the suspenseful moments of the story, keeping the audience on the edge of their seats.

Joseph Lee
6/10

Overall, the soundtrack of The Crucible is a powerful and integral component of the film, elevating the storytelling and immersing the audience in the dark and tumultuous world of Salem during the witch trials.

Elizabeth Wilson
6/10

The soundtrack of The Crucible is haunting and evocative, setting the tone for the intense and dramatic story unfolding in Salem, Massachusetts in 1692.