Rebecca Soundtrack (

Rebecca Soundtrack (1940) cover

Buy on Amazon Play and download Soundtracks

Rating: 8.10/10 from 146000 votes
Alternate Names:
Title in Español:

Rebeca

Title in Italiano:

Rebecca - La prima moglie

Title in Português:

Rebecca

Title in Français:

Rebecca

Title in Türk:

Rebecca

Title in Deutsch:

Rebecca

Synopsis

The film begins with a female voiceover: "Last night I dreamt I went to Manderley again", to images of a ruined country manor.

The heroine is a very young (and nameless) woman (Joan Fontaine), a paid companion to the wealthy but obnoxious Edythe Van Hopper (Florence Bates). The heroine meets the aristocratic widower Maximilian (Maxim) de Winter (Laurence Olivier) in Monte Carlo. They fall in love, and within two weeks they are married.

Maxim takes his new bride to Manderley, his country house in Cornwall, England. The housekeeper, Mrs. Danvers (Judith Anderson), is domineering and cold, and is obsessed with the great beauty, intelligence and sophistication of the first Mrs. de Winter—the eponymous Rebecca—and preserves her former bedroom as a shrine. Rebecca's sleazy cousin Jack Favell (George Sanders) appears at the house when Maxim is away.

The new Mrs. de Winter is intimidated by her responsibilities and begins to doubt her relationship with her husband. The continuous reminders of Rebecca overwhelm her; she believes that Maxim is still deeply in love with Rebecca. She also discovers that her husband sometimes becomes very angry at her for apparently innocent actions.

Trying to be the perfect wife, the young Mrs. de Winter convinces Maxim to hold a costume party as he did with Rebecca. The heroine tries to plan her own costume, but Mrs. Danvers suggests she copy the beautiful outfit in the portrait of Caroline de Winter, an ancestor. At the party, when the costume is revealed to Maxim he is appalled; Rebecca wore the same outfit at their ball a year ago, shortly before she died. The heroine confronts Danvers, who tells her she can never take Rebecca's place, and almost manages to convince her to jump to her death. A sudden commotion reveals that a ship is sinking.

The heroine rushes outside, where she hears that during the rescue a sunken boat has been found with Rebecca's body in it. Maxim admits that he had earlier misidentified another body as Rebecca's, in order to conceal the truth. At the very beginning of their marriage Rebecca had told Maxim she intended to continue the promiscuous and perverse sex life she had led before the marriage. He hated her but they agreed to an arrangement: she would act as the perfect wife and hostess in public, and he would ignore Rebecca's privately conducted affairs. Rebecca grew careless and complacent in her dealings, including an ongoing affair with her cousin Jack Favell. One night, Rebecca informed Maxim that she was pregnant with Favell's child. During the ensuing heated argument she fell, hit her head and died. Maxim took the body out in a boat which he then scuttled.

Shedding the remnants of her girlish innocence, Maxim's wife coaches her husband on how to conceal the mode of Rebecca's death from the authorities. In the police investigation, deliberate damage to the boat points to suicide. Favell shows Maxim a note from Rebecca which seems to indicate she was not suicidal. Favell then tries to blackmail Maxim, but Maxim tells the police. Maxim is now under suspicion of murder. The investigation then focuses on Rebecca's secret visit to a London doctor (Leo G. Carroll), which Favell assumes was due to her illicit pregnancy. However, the coroner's interview with the doctor reveals that Rebecca was mistaken in believing herself pregnant; instead she had a late-stage cancer.

The doctor's evidence persuades the coroner to render a finding of suicide. Only Frank Crawley (Maxim's best friend and manager of the estate), Maxim, and his wife will know the full story: that Rebecca lied to Maxim about being pregnant with another man's child in order to goad him into killing her, an indirect means of suicide.

As Maxim returns home from London to Manderley, he finds the manor on fire, set alight by the deranged Mrs. Danvers. The second Mrs. de Winter and the staff manage to escape the blaze, but Danvers dies in the flames.

Download and play the Soundtrack list

Play Title Artist
Rebecca
Main Title / Foreword / Opening Scene
Franz Waxman: Performer
Hotel Lobby
Franz Waxman: Performer
Terrace Scene
Franz Waxman: Performer
Tennis Montage I
Franz Waxman: Performer
Tennis Montage II
Franz Waxman: Performer
Proposal Scene
Franz Waxman: Performer
Marriage
Franz Waxman: Performer
Arrival At Maderley
Franz Waxman: Performer
Mrs. Danvers (original version)
Franz Waxman: Performer
Walk to the Beach
Franz Waxman: Performer
The Boathouse
Franz Waxman: Performer
Coming Back from Boathouse
Franz Waxman: Performer
Rebecca's Room
Franz Waxman: Performer
The New Mrs. De Winter
Franz Waxman: Performer
Confession Scene
Franz Waxman: Performer
Telephone Rings
Franz Waxman: Performer
Fireplace Tableau
Franz Waxman: Performer
The Fire and Epilogue
Franz Waxman: Performer

User reviews

Jennifer Garcia
10/10

The musical score of Rebecca effectively mirrors the psychological turmoil of the characters, especially the second Mrs. de Winter. The music beautifully underscores her feelings of insecurity, fear, and paranoia as she navigates the sinister secrets of Manderley. The evocative themes and motifs in the soundtrack help convey the internal struggles and external threats faced by the protagonist, adding layers of complexity to the storytelling.

William Clark
6/10

The themes of betrayal, jealousy, and manipulation are underscored by the evocative and melancholic soundtrack, creating a sense of foreboding and tension that lingers even after the credits roll. The music not only enhances the storytelling but also serves as a character in its own right, weaving a web of emotions that resonate with the audience long after the film ends.

Stephanie Smith
6/10

The soundtrack of Rebecca effectively sets the eerie and haunting tone of the film from the very beginning with its atmospheric and suspenseful score, enhancing the sense of mystery and intrigue surrounding Manderley and its characters.

Andrew Rodriguez
7/10

The haunting and melancholic score of Rebecca perfectly captures the eerie atmosphere of the film, adding depth and emotion to key scenes. The music enhances the suspense and tension, creating a sense of foreboding that keeps the audience on edge throughout the story.

Nancy Evans
1/10

The soundtrack of Rebecca failed to effectively capture the emotional depth and complexity of the storyline. The music felt generic and uninspired, lacking the dramatic tension needed to enhance the suspenseful moments throughout the film.

Steven Baker
7/10

The use of leitmotifs in the soundtrack of Rebecca is masterfully done, subtly weaving themes and melodies that reflect the inner turmoil of the characters. The recurring motifs help to underscore the psychological drama unfolding on screen, adding layers of complexity to the narrative and enhancing the overall viewing experience.

Sarah Miller
10/10

The soundtrack of Rebecca perfectly captures the eerie and haunting atmosphere of the film. The music enhances the suspense and tension throughout the story, creating a sense of unease that keeps the audience on edge. The use of orchestral arrangements and dramatic melodies adds depth to the emotional journey of the characters, making the viewing experience truly immersive.

Linda Walker
3/10

Additionally, the use of repetitive motifs in the soundtrack became distracting and overwhelming, overshadowing the on-screen performances and dialogue. Instead of complementing the narrative, the music often felt out of place and disjointed, diminishing the overall impact of key scenes and character interactions.

Timothy Young
5/10

The music perfectly complements the emotional journey of the young Mrs. de Winter, reflecting her feelings of insecurity, fear, and growing unease as she navigates the shadow of Rebecca and the secrets of Manderley. The use of subtle melodies and dramatic crescendos adds depth to the unfolding drama, keeping the audience engaged and on edge throughout the film.