Richard III Soundtrack (

Richard III Soundtrack (1955) cover

Buy on Amazon Play and download Soundtracks

Rating: 7.40/10 from 5200 votes
Alternate Names:
Title in Español:

Ricardo III

Title in Italiano:

Riccardo III

Title in Português:

Ricardo III

Title in Français:

Richard III

Title in Türk:

Richard III

Title in Deutsch:

Richard III.

Synopsis

The London Films logo, featuring Big Ben, is displayed, and the great clock rings out the hour with its bells.

The opening titles, shown on a parchment that scrolls up to reveal the cast, tells that "The history of the world, like letters without poetry, flowers without perfume, or thought without imagination, would be a dry matter indeed without its legends, and many of these, though scorned by proof a hundred times, seem worth preserving for their own familiar sakes."

The following begins in the latter half of the 15th Century in England, at the end of a long period of strife set about by rival factions for the English crown, known as the Wars of the Roses. The Red Rose being the emblem for The House of Lancaster. The White for The House of York. This White Rose of York was in its final flowering at the beginning of the Story as it inspired William Shakespeare...

The scroll dissolves into the image of the English crown, suspended high over the coronation throne. Below, Edward IV (Cedric Hardwicke) is being crowned, with his siblings and court in full attendance. Richard, Duke of Gloucester (Laurence Olivier), his brother, exchanges looks with the Duke of Buckingham (Ralph Richardson), his cousin, and proceeds to follow the new king into the throne room. There, Richard and his other brother, George, Duke of Clarence (John Gielgud) display their affection towards Edward's children (Paul Huson and Andy Shine), in sight of Queen Elizabeth (Mary Kerridge). The entire court, save Richard, follow Edward out of the throne room and into the streets, where he goes on parade for the peasants. Richard however, stays in the throne room, and muses, directly to the audience, about his situation.

Download and play the Soundtrack list

Play Title Artist
Richard III
The Invasion
Trevor Jones: Performer
Come Live With Me (Stacey Kent, Vile Bodies)
Trevor Jones: Performer
Now Is The Winter Of Our Discontent
Trevor Jones: Performer
The Mortuary
Trevor Jones: Performer
Bid Me Farewell/I'll Have Her
Trevor Jones: Performer
Clarence's Dream
Trevor Jones: Performer
Crimson
Trevor Jones: Performer
Clarence's Murder
Trevor Jones: Performer
The Tower
Trevor Jones: Performer
The Blessing
Trevor Jones: Performer
Conspiracy
Trevor Jones: Performer
The Tappers
Trevor Jones: Performer
Let Sorrow Haunt Your Bed
Trevor Jones: Performer
The Reach Of Hel/Long Live The King
Trevor Jones: Performer
Good Angels Gaurd You
Trevor Jones: Performer
Coronation Haze
Trevor Jones: Performer
Prelude From Te Deum
Trevor Jones: Performer
The Golden Dew Of Sleep
Trevor Jones: Performer
My Regret
Trevor Jones: Performer
Pity Dwells Not This Eye
Trevor Jones: Performer
Westminster
Trevor Jones: Performer
My Most Grevious Curse
Trevor Jones: Performer
The Duchess Departs
Trevor Jones: Performer
The Devil's Temptation
Trevor Jones: Performer
Richmond
Trevor Jones: Performer
Defend Me Still
Trevor Jones: Performer
I Did But Dream
Trevor Jones: Performer
Elizabeth And Richmond
Trevor Jones: Performer
My Kingdom For A Horse
Trevor Jones: Performer
Battle
Trevor Jones: Performer
I'm Sitting On Top Of The World
Trevor Jones: Performer
Come Live With Me (Location Version) (Stacey Kent, Vile Bodies)
Trevor Jones: Performer
Now Is The Winter Of Our Discontent (Act 1, Scene 1)
William Walton: Performer
Gentle Lady Anne, Is Not The Causer Of The Untimely Death Of Your Brave Prince (Act 1, Scene 2)
William Walton: Performer
Why Looks Your Grace So Heavily Today? (Act 1, Scene 4)
William Walton: Performer
They Do Me Wrong, And I Will Not Endure It (Act 1, Scene 3)
William Walton: Performer
My Lord, At Once, The Cause Why We Are Met (Act 3, Scene 4)
William Walton: Performer
Cousin Of Buckingham, Give Me Thy Hand (Act 4, Scene 2)
William Walton: Performer
The Son Of Clarence Have I Pent Up Close (Act 4, Scene 3)
William Walton: Performer
What Is't O'Clock? (Act 5, Scene 3)
William Walton: Performer
My Lord / Who Is There? (Act 5, Scene 3)
William Walton: Performer
Twelfth Night - "I'll Tell Thee A Tale" (Shaun Davey)
Craig Armstrong: Performer
Henry V - Overture - The Globe Theater (William Walton)
Craig Armstrong: Performer
Henry V - Passacaglia - The Death of Flastaff (William Walton)
Craig Armstrong: Performer
Henry V - "This day is called the feast of St. Crispian" (William Walton)
Craig Armstrong: Performer
Henry V - Battle and Charge - The French Court (William Walton)
Craig Armstrong: Performer
Henry V - "Touch her soft lips and part" (William Walton)
Craig Armstrong: Performer
Henry V - Finale - The Agincourt Song (William Walton)
Craig Armstrong: Performer
Hamlet - Prelude (Dimitri Shostakovich)
Craig Armstrong: Performer
Hamlet - Ball at the Palace (Dimitri Shostakovich)
Craig Armstrong: Performer
Hamlet - "To bem or not to be, that is the question" (Derek Jacobi)
Craig Armstrong: Performer
Hamlet - "Sweets to the sweet farewell" (Patrick Doyle)
Craig Armstrong: Performer
Much Ado About Nothing - Overture (Patrick Doyle)
Craig Armstrong: Performer
Much Ado About Nothing - Goddess of the Night / Strike Up, Pipers (Patrick Doyle)
Craig Armstrong: Performer
Antony and Cleopatra - "I dreamt there was an emperor Antony" (Jenny Agutter / Bruce McGregor)
Craig Armstrong: Performer
Antony and Cleopatra - Suite (John Scott)
Craig Armstrong: Performer
Julius Caesar - Overture (Michael J. Lewis)
Craig Armstrong: Performer
Julius Caesar - Caesar's Triumphant Entry into Rome (Michael J. Lewis)
Craig Armstrong: Performer
Julius Caesar - "Friends, Romans, countrymen, lend me your ears" (Derek Jacobi)
Craig Armstrong: Performer
Julius Caesar - "Caesar now be still / Finale" (Miklos Rozsa)
Craig Armstrong: Performer
Disc Time:
Craig Armstrong: Performer
The Taming of the Shew - "Good morrow, Kate" (Derek Jacobi / Jenny Agutter)
Craig Armstrong: Performer
The Taming of the Shew - Overture (Nino Rota)
Craig Armstrong: Performer
Richard III - "Now is the winter of our discontent" (Derek Jacobi)
Craig Armstrong: Performer
Richard III - Prelude (William Walton)
Craig Armstrong: Performer
Romeo + Juliet - The Balcony Scene (Craig Armstrong)
Craig Armstrong: Performer
Romeo and Juliet - "But soft, what light through yonder window breaks?" (Ioan Gruffudd / Jenny Agutter)
Craig Armstrong: Performer
Romeo and Juliet - Suite (Nino Rota)
Craig Armstrong: Performer
Love's Labour's Lost - "Love's Labour's Lost / Arrival of the Princess" (Patrick Doyle)
Craig Armstrong: Performer
A Midsummer Night's Dream - "If we shadows have offended" (Jenny Agutter)
Craig Armstrong: Performer
A Midsummer Night's Dream - Intermezzo from Cavalleria Rusticana (Pietro Mascagni)
Craig Armstrong: Performer
Shakespeare in Love - Suite (Stephen Warbeck)
Craig Armstrong: Performer
Henry V - Prelude - "O for a muse of fire" (Patrick Doyle)
Craig Armstrong: Performer
Henry V - St. Crispin's Day (Patrick Doyle)
Craig Armstrong: Performer
Henry V - "Once more unto the breach, dear friends, once more" (Ioan Gruffudd)
Craig Armstrong: Performer
Henry V - Non Nobis Domine (Patrick Doyle)
Craig Armstrong: Performer
Twelfth Night - "If music be the food of love" (Derek Jacobi)
Craig Armstrong: Performer
Twelfth Night - "The Wind and the rain" (Shaun Davey)
Craig Armstrong: Performer

User reviews

Joshua Lee
7/10

The soundtrack of Richard III managed to capture the essence of the time period and the emotional complexity of the characters, making it a truly memorable cinematic experience.

Timothy Green
5/10

The musical score effectively captures the tension and drama of the political intrigue and power struggles depicted in the film, enhancing the emotional impact of key scenes.

Lisa Perez
9/10

The intricate use of orchestral arrangements in the soundtrack enhances the emotional depth of the characters, particularly in scenes showcasing the complex relationships and power struggles within the royal court.

Nancy Thomas
7/10

The performances of Cedric Hardwicke, Laurence Olivier, and Ralph Richardson added depth and emotion to the characters, enhancing the impact of the story.

John Thomas
6/10

The opening titles' poetic narration adds a layer of depth and elegance to the storytelling, setting up the audience for a rich and immersive experience.

Richard Gonzalez
6/10

The use of the Wars of the Roses as a backdrop for the story provides a rich historical context that enriches the narrative and adds layers of complexity to the characters' motivations.

Robert Green
9/10

The haunting and majestic score of Richard III perfectly captures the grandeur and drama of the historical setting, immersing the audience in the atmosphere of the 15th Century England.

Jennifer Evans
7/10

The music during the coronation scene was powerful and evocative, enhancing the tension and drama of the moment.

Dorothy Evans
7/10

The themes of loyalty, power, and betrayal were effectively underscored by the haunting melodies and orchestrations in the soundtrack.

Richard Harris
6/10

The soundtrack's ability to convey Richard III's inner thoughts and machinations through music is a testament to its skillful composition and its contribution to the character development.

Joseph Scott
8/10

The transition from the crown to the coronation throne was visually stunning and created a sense of regal atmosphere that carried throughout the film.

Dorothy Williams
9/10

The music in Richard III not only complements the narrative but also elevates the storytelling, adding layers of tension and intrigue that keep the viewers engaged from start to finish.

Daniel Williams
5/10

The London Films logo and the use of Big Ben's bells in the opening scene create a sense of grandeur and historical significance that sets the tone for the film.

Betty Green
7/10

The grandeur of the London Films logo with Big Ben and the soothing sound of the clock bells truly set the historical tone for Richard III.

Michael Taylor
8/10

The opening titles on the scrolling parchment added a touch of elegance and sophistication to the introduction of the film.

Mark Rodriguez
8/10

The way the film delves into the complex history of the Wars of the Roses through the use of symbolic emblems like the Red Rose and White Rose was captivating.